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Main live-sound source courtesy of SynFactory synthesizer software. Dedicated to the ignominious memory of Cecil Rhodes. Recorded live by Marc Behrens and Carlos Santos, mixed by c. Recorded voice by Sara Henriques. Original photo by Rita Valiukonyte. The work consists of ingredients as: traffic, public transport, crowds bars, cafes, markets, stations, shopping malls, supermarkets , sport games, amusement parks, concerts, cinemas, theaters, kindergartens, fireworks, street musicians, airplane drones, church bells, footsteps, halls, hangars, birds, rain, bicycle and skateboard sounds, flagpoles, movements of security cameras, suburban night-time ambiences and other details.
Photo and recording by Konrad Behr. Field recordings collected and processed in and early in the cities of Valencia and Murcia, in places where the environment of urban centers is subjected to the production relations of our times. Territory: woods, dry land, coast. Social relations: popular culture in danger of extinction, cults of death, structural crisis, social struggle, rituals and traditional holidays.
These were the sound sources starring in this performance. Beyond the descriptive and the exposure of many seemingly unrelated facts, the purpose of the performance was to show the communication links of our sound history, limited to the environment and social practice, to enjoy listening to it from other angles. Photo by Marc Behrens. Shibboleths is a title of an audio play and sound performance of Piotr Kurek presented at the Mimar Sinar University of Fine Arts in Istanbul and Nijmegen's Extrapool, curators of the Audiotoop series.
Recordings were taken in December in Nijmegen, Netherlands. Space as an instrument, played by the melancholy of an electric guitar. Clouds of dark-matter in sound, sculpting the atmosphere of the medieval church into an aural signifier of decay. Edited recording of an audiovisual performance that took place on the Autumn Equinox, at Igreja de S.
Together, they explored the relationships between music and gestures, working at two levels: group improvisation and the awareness of the movements necessary for the production of sound and for daily communication. The process involved an analysis of movement during the musical and social performances, the selection of motions, their practice and representation in the context of a stage performance, in synchronization with the music composed during the workshop.
This is a recording of one of their improvisation sessions, at the foyer of the Serralves auditorium. An ensemble of processes of granular synthesis, analog synthesis and raw field recordings that serves as a guideline to create a balanced narrative line of experimental electronica, sound design and sound art. In addition to creating original soundtracks, he works on sound design for documentaries, short films and the Internet.
This piece focussed on the relation between sound and its broadcasting space, creating multiple degrees of sound and listening. We are not listening to music, we are listening to recordings of music played in the radio's offices mixed with ambient sounds, voices etc…. Its claimed mission is the reversal of all things deserving of reversal: literally, metaphorically and magically.
Watch out for the greatest hits of all time sung backwards some time in the near future — a homage to long-held myths of satanic backmasking from the golden age of vinyl. The basis for this movie were four strange dreams of one man. On a plan, the director in this film intended to have no dialogues, only sound and visuals. Recorded between Raindrops, traffic and city's echoes have been recorded from my hotel's room, in front of the Sultan Ahmed Mosque Blue Mosque.
The premiere took place in St. Johns' church which accommodates the largest pipe organ in Lithuania. The concert was attended by a set of different people: few old couples, young family with children, a lost tourist, several friends and author's father. The piece was recorded with several portable recorders placed around the area of church, one extra microphone was placed outside the church to record the sounds of crows flying above the roofs of Vilnius' old town.
The piece itself is a harmonic analysis of Soviet Lithuania's anthem. It could be likened to a shadow which is cast by an object. In this piece's case it's a shadow of another shadow. The opening event featured a live performance with fragments of the various works as well as guests. These is a sound mixed journey through south-east Asia, recorded in Kuala Lumpur Malaysia, Hong Kong and one close island. Also from Hong Kong is the traffic signal for blind people beeps. The birds are from Kuala Lumpur, as the street voices, the industrial noises are taken on Cheng Chau island, in fish market with ice cutting machines, and Chinese fishermen talking.
All electronic elements are taken from a composition released an a 3" CD, on Lona records, a Hong Kong label. In addition to playing his signature solo field recording composition, using only recordings captured in Prague in the week preceding the concert, he also requested to be introduced to local musicians in order to collaborate and improvise with them. After a brief meeting and an exchange of CD's they played an improvised collaborative set, Michael playing various instruments through effects and Simon playing field recordings and processing some of Michael's sounds.
Going with my binaural mics on the 21st November to the Basilica of St. Thousands of people visit the main altar of the church to give thanks to the Virgin Mary and ask to keep them in good health. The church was built in after the Senate decided to honor the Virgin Mary of Health for delivering Venice from a plague.
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This is a composition of raw recordings take with binaural microphones. From the minute , you can hear a series of recordings of prayers and organ tunes. Live recording of Ranter's Bay in the context of Tan inauditos!! So unheard!! This performance was a collaboration between o. In summer we spend a week doing outdoor recordings in Innsbruck.
Our goal is to create a composition of and with city sounds. The geographical situation of the city nourishes the idea behind the composition… Nestled in the Inntal valley, closed off to the north by the Nordkette mountain chain, in the south by highlands and Patscherkofel peak. We stop from time to time to record the sounds around us. Our starting material becomes a topology of loudnesses, frequency images and rhythmic structures of the city. We compile these original sounds we have recorded into 4 related sections, which serve as the first layer of the composition; for the second layer of the piece, we edit the original sounds we have used using filters; the third and fourth layers are musical structures and interventions using bass and sampler.
Linnut, by Eosin , is the first of an ongoing series of compositions using vinyl lock grooves and field recordings. I don't know about its meaning and its story lies on the procedure of its own production. For my participation in Tinynoise festival, last October, i got two Staalplaat Soundsystem LP made for Yokomono that I was experimenting in real time during my performance, this is, I was listening for the first time and using the locked grooves, combining them with pre-recorded sounds I had already edited. I enjoyed the result and the loops inspired me to use them as a structure for further tracks.
I recorded some mixes and then edited, creating a sequence to which I added a parallel layer made of field recordings of various sources. The piece intends to chronologically project a day spent from noon to midnight, in three parts: part I, , part II, , part III, Could, let's say — a lost photographic sentiment for a memory of the space; fading tones of a chime and human voices; alienated intersections of whistle, transparent high-frequency sprays and streams of white noises; almost cubist evolvent of domestic affair with an acoustic guitar; a chant concealed in dissemination and revealed as a concealment; sketch of a childish organ turning into a seed for a swarm of metallic crows, which disappears indulging it's own disillusionment — could it be actually considered as a story?
Alfonso X, El Sabio: Una Biografia (Cronicas Y Memorias) (Spanish Edition)
If yes, it's more about fragments. This performance was recorded live during a residency at "Le lobe" in the context of "Festival Art Nomade" in October 3rd, The compositions main purpose is to research the psychological effects of hysteresis a lag between an effect or response and the force that caused it , compositional elements such as silence, amplitude modulation, and the effects it may have on the listener. The two tracks constructed to be played sequentially are consolidated for this release.
The soundtrack is derived from field recordings of the Gdansk dockyard in Poland in November This somehow is a demo version of the initial piece, which is about 65 minutes long and much slower in transitions. It combines several synthesis forms and can be played in different manners. The composition of the piece arose from the tonal configuration of the single functions.
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The work is based on sounds recorded during the summer of in a call center in Gurgaon suburbs of New Delhi , during a 3 weeks residency commissioned by the french embassy in India. Industrial archaeology is a rich field of exploration for transdisciplinary arts. Though meanwhile both musicians live in different towns of Germany, they still meet regularly to compose new pieces of music, to program music software or just in order to make music.
The field recordings heard on Variations 1, 2, 3 were recorded between and in the Black Forest and reinterpreted with bass, guitar, electronics and brass instruments. On variations 2 and 3 Wolfgang Zumpe plays trumpet and flugelhorn. Skug's music creates a very visual aspect which gives enough space to the listener to realise his own imagination and to unfold his own fantasy. Like in fine arts, a picture emerges successively by applying one layer of colour after another, Skug create their work bit by bit.
Spaces are interchangeable — topoi that exist and can be experienced anytime and everywhere. All beautifully captured live by Marc Behrens. With this piece, conceived for radio, I wanted to work on three of my main influences: cinema, electroacoustic music and politics.
Playing with the several meanings of terror I set up a sound travel that imitates the movie pictures montage with one aim in mind: to introduce the audience into a shocking experience that puts together all those possible meanings of terror. Indeed it seems the times of changes we live in are like a terror movie With these sources and my own stuff I set up a montage full of stereotyped but disturbing sounds, all organized into the sequencer software.
Innuendos, errors, noise, microwaves, banalities, crackles, soft pulses of synthesized tones. The chronological order of the concert was kept, but condensed. No sounds or effects were added. Pure and Hati recorded live in Muenster, 29 November Recorded May 10, at the Offf festival in Lisboa. Jorge Castro aka Fisternni. Recorded on May 10, at the Offf festival in Lisboa. Jorge Haro is a sound and audiovisual artist based in Buenos Aires. Recorded on May 9, at the Offf festival in Lisboa. The full mix is presented here without track markers, with the timing in the mix of each of the tracks used.
I have recorded same samples from the environment with a binaural stereo mic, so use headphones for the best result. Here is the result.
Marvellous sweeping drones take us back to memories of deserted landscapes. This is the soundtrack of an impossible road movie, of simple complexities and multi-tonal melodic formations, geological oddities through which we travel, while admiring their uniqueness. This is The Beautiful Schizophonic, performing live for the first time in Portugal. This performance was recorded December 21 at Passos Manuel, Porto.
Thank you, and good night. Based in Porto, Tam explores the infinite possibilities conceded by electronic gadgets and computers. The visual work is focused mainly on landscape, the human figure and several pointless situations of our daily lives. Is it improvisation? Absynth-generated sine waves, recorded and manipulated sounds from cigarette lighters and a recorded violin. The choice of sound files and dynamics basically referred to the specificity of the room: a small place, full of people, slowly filling with sound-layers with little "movement", predominantly static and just "moving within a certain area".
She lives in Vienna. She has contributed to Essays on Radio: Can I have 2 minutes of your time? Knappsession is a series of live-concerts at a private appartment in Vienna. Broadcasted by Ephraim Wegner on This improvised turntable piece was recorded live at Festival Mediarte 4. Ran Slavin has been experimenting with live video and performative real-time audio since the mid-nineties, developing live sets of "hyper-reality streams" where each image is already the next one, criss-crossing to form a perceptually layered hybrid of illusive meaning where the video spectrum and texts determine the sound within an environment of controlled randomness.
His audio work is a wide culmination of signal processing, both from acoustic sources or field recordings, from which digitally derived sonic panoramas emerge.