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Manual Music and Kabbalah

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Your question is an interesting question, but it is too simple and basic a question for such an extremely complicated subject. Thank you for sharing such an inspiring knowledge. I am a beginner in all aspects a bnei anussim doing teshuva and your teaching helps a lot. I'm interested in your story. Write to me a private Email at absolutetruth gmail. Wednesday, June 13, Music and Kabbalah. The musical scale is made up of seven notes: do; re; mi; fa; so; la; ti.

These notes are then repeated on a higher scale, then again on a higher scale "ad infinitum. In Judaism , the number seven is significant for several reasons.

Music Inspired by Kabbalah | kabbalah.info

One is that there are seven Kabbalistic spheres sefirot each of which corresponds to one week of the Omer, which is itself seven weeks of seven days each, from Pesach to Shavuoth: Each letter of the Hebrew alphabet is parallel to a different note of the scale, and hence to the appropriate sphere. Each sphere has its own position being either to the right, left or middle. Therefore the corresponding letters of the alphabet , and notes of the scale are in the same position as its complementary sphere.


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Hence , each l e tter of th e alphabet relates to a d i f fe r e nt s ph ere a nd is in a specific position. It is interesting to note that the difference between the major key and the minor key is explained through the build up of the notes in the key.

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In the minor key the middle tones i. The Hebrew words for the three position s o f t h e spheres are emtza, middle , yemin , right ; and smol, left. If we take the initials of these word s , it spells the word ish , man. Consequently, we see that when the middle, right , and left are together they form a perfect combination. The spheres also represent midot, Divine attributes, through which we understand Hashem's actions and creations. In astrology, the seven midot that we have s ee n a re parallel to the seven mazalot, celestial bod i es see chart below.

Jup i ter is parallel to chesed, the first sphere , on the right, a nd to the letter alef; Mars corresponds to gevura, the second sphere on the left, and to bet; the Sun to tipheret in the middle and to gimel; Venus to netzach and to daled; Mercury to hod and to heh; the Moon to yesod and to vuv; and the Earth to malchut and to zayin. These are his words: "All those things above are carried out by music and all the luminaries, when they go out from their source, are motivated by music. It is interesting to note that recently in the United States they discovered that each planet produces different melodies.

As has been seen, according to the Ramchal, it is really the music itself which effects and hence moves the planets. The Zohar Exodus, Parshat Sh'lach says that the constellations themselves create music. According to the Zohar Exodus, VaYakel the music of the sun is so wonderful that if the ears of man would not be blocked then he would be capable of hearing this music.

He would, however, not be able to exist as his soul would leave his body. The Rambam , in his book "The Guide for the Perplexed" part two, chapter 8 , also mentions this and other theories of how the stars create different sounds The major key is the plan of the cycle of the nineteen years which contain seven leap years.

The seven leap years occur on the third , the sixth, t he e i g h t h, th e e l e v e nth, the f our tee nth, th e seventeenth and the nineteenth years respectively. Observing the order of these years one can notice that they follow the same sequence as the intervals between the notes or tones in the major key, for example two years correspond to one tone, for example between the "do" and the "re" there is a "full space", a tone. When there is only one year difference this relates to the semi-tone, for example the space between the "mi" and the "fa.

This order follows that in which they are led as guests into the succah on the seven days of the festival of Succot. Hence Abraham, whose attribute was chesed is the first, corresponding to the "do" and the sphere of chesed, loving-kindness, Josef, whose attribute was tzidkut, righteousness, is the sixth, parallel to the "la" and the sphere of yesod.

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This helps us understand the verse in Proverbs : "The righteous one is the foundation of the world. These are parallel to the a ttr ibut e of malchui, kingdom, as Shabbat attests to Hashem ' s kingdom on earth. The Jewish People by kee pi n g S h a bbat p r ope r ly, testify to the fact that Hashem created the world in seven days. This is one reason why one who keeps S habbat is regarded as though he kept all the mitzvot Shemot Raba, end Parsha 25; Talmud Yerushalmi Brachot 9a , Chap 1 , law 5.

The scale is repeated for a third time to complete the alphabet, the first seven notes consist of the letters from alef to zayin, the second from chet to nun, and the last scale from samech to shin. The letter tuv is not represented as it is one above the number seven, representing the number 8. In the second scale, the same principles apply.

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The chet which stands for chayim , life, signifies the note "do" in a higher key, and the attribute, chesed, and hence is on the right. The tet stands for tahara; purity , which is analogous to "re", and gevura; and so is on the left. The yud matches "mi", and tipheret and is in the middle, etc.

We see then that the se cond scale is of a similar structure to the first. The last seven letters forming the third scale are constructed in the same manner see the chart above. It feels like the music has a destination, and it takes the listener on its journey. Non-Western music…arouses…a sense of timelessness and inner space….

Music and Prophetic Kabbalah

Non-Western music is characterized by a prolongation of a single note, or a select group of sounds which continues in a set pattern throughout the entire melody. This type of music arouses a more contemplative state, evoking within the listener a sense of timelessness and inner space. Appropriately, these moods of music reflect the essential theology of these two civilizations.

In the West, the predominant belief is that Creation began at a period of time, as time is linear, culminating in a future: Creation, Revelation and finally Redemption.


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  • Reflecting this reality, the music the West produces follows this pattern. It begins, reaches a high point and climaxes. By contrast, in the East, where time is viewed to be cyclical, with no "beginning", "middle" or "end", its music, too, is cyclical and repetitive. The Kabbala and Jewish mystical teachings, on some level, meld these two together. Yes, Creation began at some point in time, and time itself was created; nonetheless, Creation is continuous, moment to moment anew. Nothing is merely in the past, nor hoped for purely the future. Everything is within the eternal present.

    As such, the music that the Jewish mystics produced, especially the songs of Chassidim known as " nigunim ", are reflective of both these musical spectrums. The Jewish mystic looks to unveil within music its transcendence…. There are some nigunim that are structured and progressive. These tunes are to the Western ear "sophisticated" tunes, consisting of a beginning, a body and a climax. There are other nigunim that contain repetitions of single, individual sounds with little or no words.

    And some contain both. While Neitzsche suggested that the "fire magic of music" is to be found in its anti-rationality, and what he sought in music was its "ecstatic irrationality", the Jewish mystic looks to unveil within music its transcendence. Perhaps not the transcendence within the music itself, as some would argue that music is nothing more than "sonorous air" or, as Leibniz had it, "unconscious arithmetic"; rather the reaction to the music, the transcendence reached as one reacts to the music. A wordless tune as is much of Jewish mystical song, particularly Chassidic is the way two individuals can communicate on a transcendent soul level.

    Any breakdown in the verbal communication mode can be repaired by creating a conduit that transcends words. When a person feels alienated from his Source, or for that matter, from his fellow man, a wordless tune which exists on a realm that defies distinctions, separations, and disharmony, is the most fitting remedy, causing a unity of souls. But it would be nice to be able to hear music that can be downloaded from here, Reply.

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