Ex-library copy with usual stamps, stickers, labels, and pockets. Dust jacket flaps glued to end pages, else textblock and binding clean and tight.
Julius Evola - IL MISTERO Del Graal Italiian Edition for sale online | eBay
Unclipped dust jacket with minimal wear. Clausen Books namus [Books from Clausen Books]. Book, pp; hundreds of col. Volume II only. In Italian. Bookplate of a former owner on the blank reverse of the ffep, otherwise an excellent copy. Volume I only other volumes available. Slan Text block is mildly age-toned. A fine copy in near fine dustjacket with a short closed tear to the upper edge of front panel. Translated from the English by Walter Saudi. Translated from the English by Roberta Rambelli.
First appearance of these stories in book form. A fine copy in about fine dustjacket with mild age-toning and rubbing. Fantacollana New in the original publisher's shrinkwrap. Collects stories featuring Fafhrd and the Gray Mouser. Average 4. Poor 2. Terrible 2. Traveller type. Time of year. Language All languages. All languages.
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Italian Spanish 1. See what travellers are saying:. Selected filters. Updating list Reviewed 1 week ago.
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Date of visit: May Reviewed 20 May via mobile. Reviewed 18 May via mobile. Reviewed 28 April via mobile. Date of visit: April The box set Il teatro delle ombre contains a page photographic book. I'm 45 and I started playing this kind of music in , those were the good times when the music was just the progressive rock Music to dance, to dream, to look for a girl, the only soundtrack to those years was that kind of music that was lately called "prog music". There was this small group of friends, that were willing to grow up musically, imitating the big names of the time, the italians Banco, PFM, Le Orme, and the international ones like Genesis, Jethro Tull, Gentle Giant.
We were young and unexperienced, and we could live in that great musical period much more like fans ever present at every concert than like main characters on the stage of a historic age. Anyway, in our small local dimension, we had the satisfaction of performing our own compositions in many theatres, with the help of dancers, slides and sceneries as in the case of the rock opera Gerbrand , from our tour.
- the saleroom.
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The first phase of our big dream ended in , when punk and disco music took away every interest in any form of music that could be described as intellectual or commited. Our Sala Borsa live released only in is a proof of that time. During the years we found new young players coming from different musical styles and experiences, and, other than being good friends, they've been the first fans and supporters of our musical evolution. I want to say hello to all of them, with the love that fellow travellers of risky ventures deserve.
Can you give us some examples of your favourites? In the eighties I had a deep emotion with Anyone's Daughter. Maybe some recent new-prog productions, but I can say that my CD player accepts everything, even some things that are much worse than I expected or than they were intended to be. It was a long hard work, this time with much help from all the members of the group. In the end I feel very satisfied with this original composition.
I can simply say, we expect many more questions like yours: this confirms that someone, close or far, is interested in what we're doing, in the stories we're writing and our music. We just want to share with other people our hard work and submit to everyone its result, as it was with Robin delle stelle.
The main difference with Robin is that it took the inspiration from a 70's cartoon, while Il bianco regno is an entirely original subject, both in the story concept and in the music. In , when I was going by bus to the Milan university and all the city and its surroundings were hit by a terrible snow storm. The name Dooah comes from a small village of fishermen the real name is Dooagh in Ireland, Achill Island - County Mayo, a place with small white houses with white turfy clouds coming out of their small white chimneys.
Dooah sounded like a perfect name for this fair and just king, that held the power in this reign of dream and fantasy. There surely is a continuity in our musical style, but I think Il bianco regno definitely has a better playing and recording quality and is a much more mature work. During its composition the whole group contributed, and that's been very important.
Are there any other bands that have left their mark on your style?