Like most services with this pricing model, they do allow a free one month trial for their fonts so you can see everything in place before committing.
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You can also buy a perpetual license for typefaces, but most people opt to license for limited time periods if they foresee a redesign a few years down the road or want to save a little dough. They have a wide selection of type and seem to focus more on quality over quantity, carrying a lot of the classics but also a good mix of new solid typefaces.
They stress how forward-thinking they are in terms of open-type support, that they have the best font selection with over 20, typefaces, and that they have unparalleled language support. Also enables Google Fonts in Photoshop. MyFonts is like a mega department store for type and like any mega department store not everything they sell is amazing. I know from personal experience that their self-hosted method is not the easiest to implement.
The typefaces available through Google Fonts were made by type designers that were paid a one time flat fee for their work along with the promise of exposure to a large audience and we all know how I feel about that incentive. I shake my fist at them for making something so easy to use that I have to dislike on principle. Also, if you notice a typeface is available through multiple retailers, you could do the type designer a serious solid by contacting them to see which of the services offers them the best cut of your cash.
Above all, remember that working with type retailers and designers that focus on quality over quantity is key. Testing type in different conditions will always be necessary, but if you choose high quality fonts less of the testing will fall on your shoulders.
Brainstorming for type is not dissimilar to brainstorming for an editorial illustration or a book cover. As you read, you write down key points and visual cues you might be able to pull from in the future—not just plot points and character names that could easily be found on Wikipedia, but also notes about how the text makes you feel.
What are the characters like? What mood does each scene convey? You can even write down random words that pop into your head that seem completely unrelated to the book. The less pretty and organized this list is, the more likely I am to actually let my mind wander. Sometimes pop culture attaches associations to type that are hard to shake. Most people think about Cooper Black as embodying the s aesthetic despite the fact that it was created in the s. Blackletter, before it was embraced by every Hot Topic-shopping high schooler, was just a fancy laborious way people wrote in the 12th century.
Type without immediate cultural associations can definitely evoke a feeling and a backstory, you just have to spend enough time with it to let that story materialize. I worked on a project with Google recently, and while I had to use some Google Web Fonts which were modern interpretations of type that could have existed in the s, I did convince them to license Cheltenham as the main typeface.
Cheltenham had the right amount of personality for the project and was made in the very early 20th century so it was totally feasible that it could have been used in the films. I like to compare making a typographic mistake like accidental inverted stress on a letter, which is when the thickness is in the wrong place to having an eye a half-inch higher than the other on your face. We had to reach a little earlier, into the 40s, to find something that made sense. Typefaces from the 40s would totally have still been in use in the 60s, especially in a small conservative town in the northeast.
I created a little type sample—typesetting the title and the first few paragraphs of The Great Gatsby —to show you how historical accuracy can add an extra layer of oomph to your design. There are four versions, a completely un-styled version , a fully styled version that uses the default typeface Georgia, a version using typefaces that people perceive as being accurate to the time but are a little off, and a version using historically accurate typefaces.
I also targeted the text differently in each version so you can see different ways to apply CSS to text. The reason why everyone throws up rainbows about the set design and costumes on Mad Men is because they go above and beyond to show more than just the most iconic designs of the 50s and 60s. You can absolutely design an entire website with just one font family, but why miss out on all the fun of font-pairing?
Good fashionistas and good typographers flex their curatorial muscles by putting together items in unexpected combinations that lead to beautiful and harmonious or purposefully discordant results. On a side note, I love making this fashion design analogy over and over again to a crowd whose wardrobe consists entirely of plaid button-downs and free t-shirts. Establishing a relationship between two different typefaces can seem like a daunting task, but there are a lot of resources and writing out there to help you figure it out. One of my favorite sites to see good font pairing in action is Fonts in Use and if you want to hear some very smart people talk about pairing typefaces, look for talks and articles by Jason Santa Maria, Tim Brown, and Stephen Coles.
Also, never hesitate to ask a type designer to recommend typefaces that will pair well with your anchor.
Ask them about font pairing, licensing questions, technical questions, relationship advice—anything really. Some typefaces are released as a super family. Super families come with a variety of weights, a variety of widths, and sometimes a sans-serif and serif version meant to complement each other perfectly. Combining fonts from the same super family is definitely the first step to feeling confident mixing and matching typefaces.
Each designer has a personal aesthetic that shines through in their work, some more obviously than others. If they have a number of typefaces available, chances are there are a few that would pair off well together. Typefaces can be thought about in three parts:.
The skeleton determines the width of the letter, the x-height, and the general proportions of components of the letter. The body and weight of the typeface. While adjusting the weight of type can seem like the most dramatic change you can make, the type will still be relate closely to its underlying skeleton.
Some typefaces are weighted in different ways than other depending on which tradition they emerged from—translation broad nib or expansion pointed pen. All the fun pizzazz we add to type to make it look awesome. Sometimes serifs can be classified as clothes or meat, depending on how essential they are to the structure of the type. Other things that would be considered clothes are spurs, ornamental serifs, drop shades, drop lines, etc. A serif and sans-serif might look spectacular together if they share a similar skeleton—a lot of people recommend this as a place to start.
Find a serif for your body copy and a sans for your headlines. Sans and serifs can form an easy harmonious relationship if they have similar proportions x-height, letter width, bowl shape and structure and attitudes. I made a little chart of a way to think about the stages of relation between typefaces:. A sibling relationship example would be a sans-serif and serif from the same super family or a sans-serif and serif that have a very similar skeletal structure. When pairing typefaces that have a lot in common, ask yourself if the second typeface you have chosen is different enough to justify its use.
Could you just get by with one typeface? For a cousin relationship, two typefaces would have a lot in common structurally but exhibit differences that make them feel only tangentially related. Typefaces from the same type designer that are very different stylistically or typefaces created in the same era that share subtle similarities might be considered cousins. Some of the words you wrote down during your brainstorming session may come in handy now to help you figure out what your typefaces have in common.
To pair distant relatives together you have to get a little loose. Sometimes the only thing that unites a pair of typefaces is their mood or the feeling that you get when you see them. Some typefaces are like married couples that on paper seem like a terrible match but when you see them together it all makes sense. Web designers can easily test and play with many typefaces before committing to them thanks to free trials offered by foundries and web fonts services as well as tools like Typecast, which allows you to design with live fonts in the browser.
Typecast is owned and operated by Monotype but includes typefaces by other foundries as well. Anyway, go forth! Have fun! When we graduated from art school, a career was promised to us. Our parents were happy, we were happy, our fine-art friends called us sell-outs and all was right in the world.
We found our first job. After a couple years we wanted a change of pace and found a new one. Things were good. Life was easy. Mornings were spent perusing cute overload before the coffee kicked in. We designed without ever having to really deal with clients, invoicing, negotiating—all the icky businessy stuff that bums everyone out. Our left-brain atrophied.
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Then one day we woke up with the itch. It became more and more powerful as we dragged ourselves to work on blizzardy days or suffered through hangovers under fluorescent lights and drop ceilings. We gave notice at work and a few weeks later our dream was a reality. As time went on though, we realized this reality was not always a dream come true.
Now we were more than creatives, we were business people. If we were one of the lucky ones, we picked up enough client work to keep us from retreating, tail between our legs, to our previous lives as employees. We completely fucked ourselves over on those first few jobs but eventually cobbled together a relatively good standard contract and learned to say enough is enough after the 10th round of revisions.
This is not the stuff we learned in college. If you even thought about contracts and invoices before that art school diploma hit your hand I commend your professors, but most of us were off in la la land developing identities for fictitious products, complaining about how we only had seven weeks to get that logo right. You can learn a lot of the business end of design and illustration by trial and error and reading articles and books, but one thing that is seemingly impossible to get a grasp on is pricing.
Whether you are a student, a young designer, or a seasoned pro, pricing jobs can be one of the most frustrating parts of the creative process. The cost of creative work is shrouded in mystery and very subjective. While it makes some people uncomfortable to talk about art and money together as we all know creatives are really meant to suffer through life and die penniless , they are incredibly similar when you think about it. What is money other than dirty rectangles of pressed tree pulp? Because we all believe it has value it is valuable. Alright, here we go!
So this is a pretty bold statement and like any bold blanket statement it should be taken with a grain of salt. Hourly pricing can be incredibly advantageous in certain circumstances, like when you receive that first email from a potential client and, through their thousand word introductory essay lousy with emoticons and unnecessarily capitalized words, they paint a clear picture that they are completely batshit insane. Totaling those hours at whatever your hourly rate is will equal a pretty good pay day.
If the first time your client sees your total hours is on the job-concluding invoice, a world of hurt awaits. It will be like being audited except somehow more unpleasant. What does this mean? Even if you can eek out a little extra money from the client, by the end of the project your hourly rate will look more like the one you were earning at the Blue Comet Diner at age So once you have a grip on your work flow and become more and more efficient, hourly pricing makes perfect sense, right?
You know how long it will take you to do something, you price for it, everyone is happy. Unfortunately this is a half truth. Both are equally talented, but one is far more efficient. At the end of the job, the designers turn in their invoices—he worked on it for a total of 18 hours and she a total of 7 hours. This becomes epically clear when working for big name clients. They have a pretty clear idea of what they want and you know that it will take about 10 hours total with the initial exploration, back and forth revisions, and finalizing.
If you think that is a good price for a professional designer to earn crafting what is essentially a logo for a huge company, you are mistaken. Once you feel comfortable with your hourly rate and can somewhat accurately predict how long it will take you to do something, there are a few other things to consider that will boost your prices and turn this design hobby of yours into an actual sustainable career. How does rights-management apply to a designer or illustrator?
This means that the client owns all the rights to anything you create for them. They essentially, legally, become the author of your work. Where rights management usually comes into play is in the context of identity work, and this is why logos are priced the way they are. In addition to a fair hourly rate, clients pay for the rights to use that logo in an unlimited capacity. Aside from giving away all the rights to your work for an additional hopefully ginormous fee, you can give them away for limited periods of time or for limited applications by licensing work to clients.
There are fewer ways to do this as a graphic designer, but licensing is an incredibly incredibly!
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Here are some factors that go into pricing a job based on licensing:. By now your head must be spinning. This is some complicated stuff right? Maybe, but this is how you can actually make a living doing illustration and design and maybe even eventually quit your but-they-give-me-health-insurance barista job. What follows is a fictional pricing example to show how powerful licensing can be. My price points will be higher than what a fresh faced n00b can probably charge, but should at least illustrate how much of an impact licensing can have on the cost of artwork.
We need one five-word phrase illustrated in a script style. The artwork should be highly illustrative, attached are some examples of work you and others have done that are in the ballpark of what we want for the campaign. If this sounds appealing to you, please send us a quote by end of day tomorrow so that we can present your work, along with a few others we are gathering quotes from, to the client. Thanks so much and look forward to working with you! The biggest young designer mistake here would be to quote a flat fee without finding out what kind of usage rights they want.
Thanks so much for thinking of me Arthur! Do you want me to price for every usage scenario or do you have some specific uses in mind? Great to hear back from you! Please quote for creation of artwork for presentation only and for a few ballpark usages. These are all pretty normal prices and there are of course magazines that pay higher or lower. Because this is for advertising and not editorial, adjust your rates depending on the client.
When you send your quote, it should be broken down as clearly as possible so there is no confusion as to what the clients are paying for in each stage of rights licensing. This would be the quote I would send back:. Hi Arthur, Below are a few sample quotes for the project. As I did not have much info about what usage rights you needed, we would need to talk specifically about anything not mentioned below once the client has a clearer picture of what they need.
After final artwork is presented, the client may request up to two rounds of minor revision. If artwork is completed to final, the full fee will be paid. The client may use the artwork in magazine and newspaper ads domestic and international for a period of 1 year. The client may use the artwork in all print media domestic and international including but not limited to magazines, newspapers, point-of-purchase displays, posters, and billboards for a period of 1 year. The client may use the artwork in all print media, all online media, and broadcast media for a period of 1 year.
The client may use the artwork in all media including print, online, and broadcast in perpetuity. Thanks so much for thinking of me for the project, let me know how these numbers go over and if you need any clarification about the different usage points. If I wanted to break it down even further, I would price based on 2 year and 5 year use and give different prices for U. Imagine if we had priced this hourly! If they write back and try to negotiate you down a little bit, you were probably pretty spot on, and if they write back and say that this is well beyond their budget, you get to decide whether or not you want to figure out a way to work within their budget or whether you want to walk away and take one for the team.
There are a lot of reasons why designers and illustrators are reluctant to talk about pricing, the most obvious being that no one wants to shout their annual income to the masses.
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My half-retired dentist father still makes more than I do. The fake job I used as an example above is an advertising job, and I used it as an example because pricing for advertising is one of the darkest arts of all. There are wild differences in pricing from presentation to buyout, and a ton of factors that affect the price. When you are starting your career as a freelancer, it will be incredibly tempting to take on any work that comes along, no matter how unfairly companies are trying to compensate you. Remember that you are talented and that your talent has value and that ultimately it is up to you to determine how much people value your talent.
For whatever reason, whenever anyone writes an article like this—asking designers to raise the standards for themselves and others, calling out companies for unfair pay or empty promises—there are always a few anonymous contrarians that berate the author for preaching from an ivory tower, not understanding what the masses are actually going through. Why anyone would complain when someone is advocating for better wages, I do not know, but it always happens.
I purposefully avoided talking about them on the chart, just as I avoided diving into great detail about non-profit work—because both are pretty complex matters. When it comes to non-profit work, I know several designers that make their entire living working at or doing freelance for non-profits. Local design studios knew this, and knew that if they wanted an intern from Tyler School of Art, they would have to fork over some cash albeit very little cash. It worked out great. Of the three internships I had in college, all were paid.
These are people with real skills and they are being taken advantage of. This is complete bullshit. Well, maybe not complete bullshit but definitely a hearty serving of it. In my opinion, this is the stuff you should definitely be getting paid for. Pay that person. Reward them monetarily for being your tedium slave.
Where it gets a bit tricky is when interns are actually doing something of value for a company. You should be paid as one! You are doing things that are employee-like—converting Quark files to InDesign files, archiving, prepping files for the designer to send to print, maybe even doing some light design work that will most likely never be shown to the client. Should you be compensated for this? Yes, of course. Again, I think interns should be monetarily compensated no matter what. Some of us lucked out and actually received a wonderful education, and some of us walked away with an in-depth knowledge of copy machine maintenance.
The thing is, anyone heading into an internship absolutely wants experience. It can be very difficult to have this kind of one-on-one education at a larger company. Your job as the office intern is to help out and demand as little time as possible from your employer. In exchange for this, for being the unseen helper cog in the company machine, you should be paid and paid fairly well. There is a giant chasm between what interns are usually paid and what qualifies as fair wages in a big city.
Have a few less fancy coffees in a week and you can afford to pay an intern ten dollars an hour. Future Interns: Should you ever take an unpaid internship? The reason why there are so many unpaid internships is because so many people are willing to work for free. Should you take a lower paying internship that offers more hands-on training experience and one-on-one time with a supervisor? In my opinion, yes absolutely. Note: This is a recently edited article I originally wrote in There will be an article to follow specifically dealing with specialization, but there are definitely some points in this post I feel are worth sharing.
I find it strange that I get so many requests for web design—I went to school for graphic design, yes, but each sub-field of graphic design has its own set of problems, limitations, and guidelines. When a person encounters a book or brochure, they know how to use it. They look at the cover, they open the cover, and page by page they work their way to the end. Web design is, for the most part, not linear, and the way that people use and peruse the web changes constantly. To be a good web designer you must live and breathe the web.
You have to pay attention to trends, read articles about best practices, essentially do whatever you can to stay relevant and current. Not all web designers can code their own websites, but to be a good web designer you absolutely need to know what others are capable of doing. I believe all people that design for the web should be able to do basic front end coding HTML and CSS , because so much of the design process can happen at that stage.
I know a few web folks will get up in arms with me about this but it took me 6 months to learn most of what I needed to learn to edit Wordpress or other blog platforms and I am not trying to be a professional web designer. If you really want to know how I feel about it, check out this talk I gave. Also, unless your website is incredibly image heavy like all of your navigation is image and much of your content is image it just makes sense to do some designing in the browser as it is so much easier to make universal changes and move things around and see them almost exactly how others will.
Not being able to do basic coding is like being a print designer that never sees proofs before things go to press. Web design is almost always a collaborative process—even the savviest of Wordpress hackers are still starting with a CMS that was built by others and usually incorporating plug-ins developed by others. You did not build your site all by your lonesome, you stood on the shoulders of many. If you are a web designer, chances are you know developers of different skill levels and price ranges that will work well for different projects.
Most print designers probably have a friend or two that knows html and can edit the heck out of blog css but very few have close relationships with back end developers people that know ruby or php very well, etc. It makes sense to hire someone that has the means to make your website all lined up and ready to go and can put the right people in place to get the best result.
Probably not. How do I know that your developer will put things together right? Developers and designers need to be able to work together from the beginning of the project to the end of the project to make a site perfect. I feel for web developers because so few people understand the artistry involved in what they do. It takes working with a website that is a clusterfuck behind the scenes to really understand how important it is to invest in good development.
Anyway, to conclude a fairly long rant: Hire people that are best at what they do. E very now and then I get a really lovely email from an aspiring letterer that is about to publish a passion project of his or her own. They tell me my work was an inspiration and that they can't wait to share their creation with the world. I feel all warm and fuzzy inside for a moment A lot of established illustrators and designers deal with the same thing—students or young professionals that rip them off without realizing it.
Addressing these young designers can be really heartbreaking because you know that they had the purest of intentions. So here's a little post to all the hungry, young designers that are struggling to find their own voice, but end up a bit too close to their inspirations. There are definitely people that maliciously rip artists off left and right, and this post is not for them.
They are evil and cannot be helped. A lot of it. More than you can even fathom when you're starting out. If you wanted to become a great guitar player, you wouldn't buy a fancy guitar and immediately start composing songs You would emulate the greats and learn from them, as they learned from others in the past. You'd spend hours alone trying to be like Jimi Hendrix or Jimmy Page or whomever you really admired.
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Then, once you were well practiced and felt confident in your abilities to play, you'd form a band, you'd write your own songs, and you'd find your own voice. When you're learning, it's not wrong to copy people—to learn from them the way that they learned from others before them. What many young artists have a problem realizing though, is that the work you create while practicing and learning is completely separate of what you do professionally.
Just because you can play OK Computer cover to cover doesn't mean you should record an album of your renditions and release them under your name, not making any reference to the original. You know that any such action would leave you up to your eyeballs in legal problems.
Copy all you wish in private, and once you feel confident in your skills, create your own original public work. Young designers and illustrators are plagued by an issue that didn't really affect those of us that are in our late 20s or older—they think that everything they ever create should be published to the internet.
Blogs weren't really in full swing when I graduated college. Swiss Miss was in its infancy. Behance didn't exist. Dribbble wasn't even a twinkle in Dan Cederholm's eye. As graduating college students, we were told that having a website was important so that future employers could check us out, not so that the dieline could post about us and an army of bored designers could drool over our work during their lunchbreaks.
Resist posting the practice—the piece that you know is too close to its inspiration. Let that practice fuel original work and then publish to your heart's content. Note: A number of folks misinterpreted this sentiment—yes, it is wonderful to show process online and there are very excellent forums, such as dribbble, for receiving feedback on work as you are progressing.
I did a little post about inspiration vs. If you're heavily inspired by only two people, your work will look like a combination of those two people's work. The more work you look at and the more work you are inspired by, the more diluted those inspirations become in your own work. Your ultimate goal should be for people to look at your work and NOT immediately think "oh she is a big fan of this person". If you diversify your inspirations, the chances of this happening become much smaller.
Your contemporaries might seem like the most obvious place to start when it comes to finding inspiration, but look beyond them. Have you ever gone on a music site to look up a band's inspirations and found all kinds of cool older bands you liked? You were opened up to a whole new world of awesome music and at the same time formed completely new opinions about the contemporary band you were into.
The same goes for design and illustration—if you're only looking at your peers for inspiration, you're not getting the whole picture. They were inspired by artists from the past and found a way to create their own original work—look at their inspirations and the people that inspired them as far back as you can dig. If you're inspired by both historical sources and contemporary artists, it is much easier to create work that feels fresh and new. In order to avoid ripping other artists off, you have to first be able to identify other people's work.
Before you went to art school, art was just one big category that everything non-boring fell into. The more you learned the more you started to see the differences in technique, the themes that happened during specific movements, the way one artists put brush to canvas vs. By the time you graduated you could hopefully tell the difference between a Picasso and a Braque, even though when you were a freshman it all just looked the same.
As you study design and illustration, something similar will happen. At first all print-makery illustrators will look the same, but soon you'll be able to point out who did what and eventually the differences will become so clear that you'll be shocked when your non-art friends don't see them. And then the nerds will welcome you into their world with a parade and cupcakes. When you are starting out, you accidentally rip people off all the time because your eye just doesn't see the difference between what you're doing and what someone you're inspired by is doing.
You think anti-awesome thoughts like "she doesn't own swashes! Over time though, once you spend a few months examining a lot of people's work, you can look at 10 different script letterers and think "OMG they are SO different! How did I not see it! Something that I sadly hear too much is that "it's not illegal to copy someone's style". Sure, if you create an illustration that is completely derivative of someone else but not a direct rip-off or tracing, they might have a hard time suing you. That doesn't make it OK to make derivative work.
It annoyed the shit out of you. When you complained to your parents, he shouted "but I didn't touch her! What he did wasn't a total violation of your space, but it didn't feel good, right? If your parents weren't completely annoyed with the both of you by then they'd hopefully explain that just because he wasn't officially breaking the rules it didn't make what he was doing OK. It's very unethical to knowingly copy someone else's illustration style when not doing work that is an obvious homage to them.
It is illegal to actually copy someone's intellectual property or claim all or part of their work as your own. If you've ever retorted with "well it's not illegal " you already know you've done something wrong and are just trying to justify your actions. The design and illustration community is teeny tiny. It's shocking how many people in our world know and talk to each other regularly. Thanks to the internet, fans can reach out to artists and alert them of people ripping them off.
There's even whole blogs set up to watch over this kind of stuff. If you're ripping people off on purpose, I'm glad that there are a thousand ways for you to get caught and that there are oodles of people out there that will secretly think you are a bad person. If you're ripping someone off accidentally, this can be severely detrimental to your career without you even knowing it. When you try to apply for a job with a portfolio full of derivative work you might not get the job and never know why. That person took one look at your portfolio and thought "they're rippin-off my friend!
It seems crazy that this would happen, but I get emails all the time from friends pointing out people that applied for internships with portfolios of work that rips-off everyone we know. It is very very important to acknowledge your inspirations and try to distance yourself from them as much as possible. Whenever I'm alerted of a possible rip-offer, I try my best to educate rather than chastise and gently nudge them to find their own voice.
If you see someone ripping-off someone you know or admire, I suggest you do the same—initiate the conversation as a helpful and concerned new friend, not an angry enemy. Most of the time the offenders aren't aware of how obvious their inspiration sources are. We're all guilty of it when we're starting out, but hopefully this article will remind some of you to keep that practice work out of your portfolio, which will keep the angry blog commenters off your back.
Always keep practicing and practicing, and practicing , keep looking at beautiful work, keep researching others to look up to and be inspired by. In no time you'll be making beautiful original work of your own. And when we share these discoveries with the organizations that have unwittingly bought the knockoffs, it invariably reflects poorly on our young serif-clipper: if there was a relationship there, it is now ended. Everybody loses. But the 17 year old with the sketchpad is entirely different. Note: This is Part 1 in a series of articles about non-creepy networking.
N etworking. What an awful word. It's one of those things that we all have to do from time to time or at least have been told we have to do. Some people are natural networkers and effortlessly pump acquaintances into their friend pool and some people collapse at the thought of approaching a stranger at an industry event. I want to hear all about you and your crazy back story. This is a huge distinction and is what separates the effortless networkers from their more smarmy-seeming counterparts. Additionally, the further along you are in your career the more you understand that the most random connections lead to the most interesting opportunities, which makes it exciting to meet anyone and everyone.
Extroverts, with their endless energy for meeting people, excel in party environments but may have issues making a lasting impression or remembering the names of the people they meet. When you spend an entire night in a flurry of social pollination, you have few meaningful interactions. For introverts, parties, while fun, are exhausting and must be followed by decompression time. For extroverts, parties are decompression time. Understanding yourself and your specific social needs is the first key to bettering your networking skills.
Here are a few tips and advice for busy party environments which should help whether or not you are a natural people-person. I know that going to an event by yourself reminds you of that time you went stag to a school dance and had to sit out all the slow dances, but it is incredibly helpful to show up unattached at an industry party. By bringing a friend, especially the boy- or girl- variety, you all but annihilate the chances of a someone walking up to you to start a conversation. Some people handshake, some people hug, some people give you endless kisses on the cheek Europeans.
In every social interaction, one person usually leads with the greeting and the other person goes with it. They have to. In the moment though—so awkward. This goes for both introducing yourself, and introducing your friends to others. I know name tags are super dorky, but good lord are they amazing at parties. Of course all of the above rules apply, but here are some additional quickie tips for talking to someone you have a person crush on:.
Everyone has different needs in terms of personal space, and one of the fastest ways to creep someone out is to get too close to them when having a conversation. People are there to have fun. Hopefully you have other interests that translate well to small talk—I find that television is the greatest equalizer. I can have hours long conversations about how much I hate or love certain television shows. Let your freak flag fly—talking about your strange interests will just make you all the more memorable to everyone you meet. I love a beautifully designed business card, but I definitely find the process of exchanging cards to be incredibly awkward.
I have definitely been the last man standing at a party before—clinging to conversations even after the lights have been turned up and the janitorial staff starts cleaning up. Go home! There will be more parties. I was wondering what I can do to promote myself and get freelance work? I am asked this question constantly as are other designers and illustrators that are doing fairly well for themselves.
If you are a student or someone starting out in the field, here's a bit of advice I can give you for how to get work and promote yourself. If you are friendly and enjoy talking to new people, you will hands-down have an easier time promoting yourself and getting work than folks that are not sorry anti-socialites, but it is true. So much of the design and illustration industry is building relationships with people. Who would you populate it with? At first you might think to take the most talented folks you know, stick them in a room together, and wait for the magic to happen, but you would ultimately be disappointed with the results.
You need a good team dynamic, you need people that can keep their egos in check, and most importantly you need people that you generally want to be around if you're going to be spending 9 16 hours a day with them. Designers: You guys might have a harder time getting paid client work than illustrators. There aren't any direct venues for promoting yourself as a designer other than winning design competitions, and even then you are mostly promoting yourself to other people within the design industry or not far removed from it.
Think about it. If you were a normal person in the process of opening your own restaurant, how would you go about hiring a designer? Each film is an ode to a specific genre. Three teams have been carefully selected to present their best work in front of a distinguished panel. Just weeks before Mr. Sign-up and more information is available at www.
After graduating high school in , he moved to New York City to study at The Ailey School as a scholarship student. Free Comedy Show - O. While there is no cover or item minimum for the show, it is recommended that you get a drink soda, beer, wine, etc. Seating for the show begins at 7pm with the show starting at pm.
Seating at the venue is limited and it is recommended that you get there before the show starts. The show was part of the New York Comedy Festival in Like many before him, he had high hopes of coming of age as a poet while cruising the vast American heartland. He saw language and experience as the tools to probe the deepest layers of the human psyche. In his first year he was admitted to the undergraduate writers' workshop where he studied with Jorie Graham. As he produced poems unremittingly and charted the labyrinthine maze of academic life as an English major, he also played trumpet devotedly, getting a good classical foundation with David Greenhoe.
She was born and raised in Baltimore, Maryland. The city's immense culture and rich heritage deeply influenced her musical style. She got her start singing in the choir at her grandfather's church, were she discovered her love for music and God. Bernadette's style of music transcends genre. Her smooth, jazzy, electrifying vocals are sure to leave you breathless. The core part of the group has been together since Swept up in her rich admirer's world, Coco draws the eyes of society towards her with her unique, elegant style but complications arise when she falls in love with the young Arthur Capel Nivola.
Shop 12 of our favorite vintage curators and collectors at this two-day celebration of vintage fashion. The s Along with an encore presentation of a Dessoff-commissioned work from Douglas Geers earlier in the season, the second half of the concert will offer two new Dessoff-commissioned works by Eve Beglarian and Matthew Aucoin. What animal do you think represents your personality well? In the studio today, we'll be creating kid-sized masks that have animal features, in order to show the world what wild animal we feel represents us!
We'll be using paper mache to make our masks, so be sure to grab an apron! In today's Clay Bar workshop, we will be sculpting clay busts of ourselves, our friends, our dogs, our favorite characters, and many other individuals special to us! A supremely influential and pioneering guitarist, Minnie was one of the first blues artists to go electric in , and is considered a crucial link connecting acoustic Delta blues with the electrified Chicago sound.
Bonnie Raitt called her "one of American musical history's most vibrant and pioneering artists. Seriously, this is what FlashbackFriday dreams are made of. Come by early and stay late — DJ K Styles spins 90s and 00s before and after the show! Join hostess Linda Simpson as players vie for a treasure trove of prizes, from discount-store delights to a cash jackpot. Thrills, laughs and prizes galore! Bring along your friends, relatives, your special someone, or just come alone—Anyone can be a winner at this fun-filled affair! Great for birthday celebrations and other special gatherings.
Arrive early for best seats. FREE Admission! Full bar and food menu. David Tveite Inspired by the college drinking game, a CPH has comics trading off doing two-minute sets of stand-up all the while taking 2oz. Seeing a chance to change the typical comedy show format, a handful of Albuquerque comics created a game show that features a mixture of comedic styles and genres. The gallery will present some of today's most notable and passionate emerging and established artists while offering a variety of ownership options for art aficionados.
Founded by, and under the direction of, Angel Zhang, will be open am — pm, Monday through Friday and by appointment. In addition to the main gallery space, which features warm hardwood floors, full windows, and a stage, there are several conference rooms and various showrooms. Stride Arts will offer a multitude of services to artists and their art collectors. For artists, they provide a multifunctional platform with studio space, marketing, and business strategic advice, and promotion through unique and appealing programming.
For collectors — personal, business and institutional, they will negotiate the sale of the work as well as providing rental services, where art aficionados of all types can benefit from their team of specialists who will curate work, available at affordable prices that can be regularly rotated. Stride Arts specializes in working with modern and contemporary art, a He aspires to create calligraphy that is modern, even avant-garde, yet still rooted in tradition.
For Wada, calligraphy is a way to bring joy and playfulness to others. These artists find joy and peace in their subject matter, reflecting on the simplicity of nature without understating its significance. Ranging from complete abstraction to realism, the exhibition explores a range of image-making techniques and styles.
Imbued with subtle intricacies and blazing expression, these artists depict nature with intelligent design. At once organic and precise, the work forces us to reexamine our relationship with the natural world and our definition of beauty. Too Many Asians! Watch him become a KPOP boy band, a very confident pigeon and more in a series of tight comedy sketches. Directed by Hunter Nelson. More show details will be posted as of April 29 on www. See you there!
Stop by any day in May from 12pm - 8pm daily.
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We can't wait to share a slice with you. Our guide, who holds a Ph. The tour takes place Sat. These two tours will be identical in every way: the same guide and the same exhibits, so choose whichever start time best fits your schedule. It will take place no matter the temperature or weather, as the art is all indoors.
Meet at W. Nearest subways: C- or E-Train to 23rd St. Arts Brookfield is thrilled to once again partner with New York Guitar Festival to present a free, outdoor concert at Brookfield Place celebrating the life and music of this influential blues guitarist. NYCB Teaching Artists guide children in a ballet warm-up and movement combination, concluding in a lively performance for accompanying family and friends.
No prior dance training needed. The performance will take place on Saturday, June 1, at 8 p. Inspire i The planned two days cultural explosion will showcase over countries. There will be giveaways, different competitions with prizes, face painting, different activities for children including age appropriate concerts attracting a diverse demographics of children, adults, seniors, students, civil services workers and government officials.
June 1, , from 12pm to 6pm at St. Nicholas Avenue from st to th Street is the first venue for this largest multicultural party in New York City. The A, B, C, and D trains will easily bring you to these destinations. Get more details at www. Improv Asylum's newest show features our Main Stage cast as fresh as you'll find them on a Saturday night.
Join the cast for this fast-paced, minute, all-improv show where they'll take your suggestions to create a new show every week. Meet the Scientist: Dagmawit Getahun - American Museum of Natural History June 01, - New York Gelada monkeys, also known as the "bleeding heart" monkeys because of the bright red patches of skin on their chest, are found only in the highlands of Ethiopia. They are the world's only grass eating monkeys and spend most of their time on the ground rather than in the trees. While their range is currently very restricted, fossils show us that their ancestors lived all over the world.
Join Dagmawit "Dag" Getahun, a biological anthropology PhD candidate at the Graduate Center, CUNY, for an exploration of the evolutionary history of monkeys from Africa and Asia and how the study of these terrestrial primates might lead to insights about our own evolution. Come singalong, drink-along, dance-along and laugh along!
No two shows are the same…with roasts, toasts, shot giveaways and high energy interaction, Dueling Pianos is perfect for birthdays, bachelorettes, and parties of 2, 20 or ! A murdered curator has left behind a cryptic trail of clues connected with secrets in works of art. Price includes museum admission. Advance purchase is required. She's joined by Durand Jones and the Indications, a soul group with a throwback sound that channels the likes of Jackie Wilson and Curtis Mayfield. Celebrating the wonderful diversity that is northern Manhattan, the day includes a parade of hundreds of flags on the historic Armory track.
Brooklyn's knockout artist, Miller , 20 KOs , will fulfil a lifelong dream of fighting for the World Heavyweight crown in his hometown. The killer has created a scavenger hunt that reveals his name, the weapon he used and where he hid the body. Follow the trail of clues throughout the museum and answer tricky questions to solve the crime.
Can you figure out whodunit? Kids must be accompanied by an adult. It is just something I have always loved to do and I think it shows in my music," says Jake. Jake is a three-time recipient of the Blues Foundation Generation Blues Scholarship and this year had the huge honor of being named one of their "Blues Kids".
Lush vocals, flutes, sinewy guitars, cellos. Join your Sesame Street friends for a fun, interactive family festival and stage show, a giant maze, a treasure dig, photo opportunities, sweepstakes, a cookies-and-milk snack station, and more! Need directions? Waze can help get you there. These are just to name a few. He does it all — weddings, birthday parties, parades, baby showers, in-house parties and is definitely a regular on the club scene. As a professional DJ and also someone who grew up in a music-oriented household, he has perfected the art of assessing his crowd and selecting and belting out tunes that keep them on their feet until the "party done".
This workshop will be an opportunity for all visitors to drop in and add on to a much larger animation project, each adding to one stop motion timeline. The lengthy animation will be shared in the CMA newsletter! Register for free and join us for hands-on art making with our talented Teaching Artists!
Make A Difference is a year-long series of exhibitions, community events, and digital art calls hosted by CMA. Rooted in the belief that art builds empathy, understanding, and respect for others, CIVICKIDS aims to foster civic engagement and shared community pride through art making. Each month, CMA will issue a digital art making challenge based on themes of civic engagement including environmentalism, identity, equity, leadership, sustainability and kindness.
Much of his early work has been deleted from the Internet. He adopted the name Playboi Carti in and signed to rapper Father's underground label Awful Records. You are extremely funny, great strong point of view and really fresh material. You are really, really good. Keep working hard and I wish you much success.
You've got what it takes. She will be filming her fifth stand-up special in Vanessa finished two episodes of Comics Unleashed, airing in Come see her headline 2 Drink Minimum. Box office opens 2 hours prior to show time. Her popular and colorful trees, which reuse scraps that the artist collects, create an enchanted landscape of nonsense. They provide a whimsical background for her soft furniture made with her manufactured woven upholstery fabrics, offering an inviting lounge-like experience to visitors.
In , a new theater was born with a novel idea: give a second chance to American plays that are worthy of a second look. Second Stage Theater started in a cramped seat space on the 16th floor of a hotel on the Upper West Side. That first production was far from an easy or auspicious launch — the director and three actors quit, one at the very last minute luckily, a young actor named Jeff Daniels agreed to step in and perform. NYC Hip Hop vs. Join us at the Hottest Hip Hop vs. Hookah available! It is held 3 times per year in the largest business, financial, and media markets: New York, Los Angeles, and Boston.
It is the leading forum for dispensary owners, growers, suppliers, investors, medical professionals, government regulators, legal counsel, and entrepreneurs looking to achieve business success and identify new areas of growth in this dynamic and fast-growing industry. Film lab will be offering how-to workshops between now and June and, on June 6, , a theme will be announced at 8pm EST on which all films must be based!
Filmmakers then have 72 hours to complete films of 5 minutes or less. Like Facebook. The younger brother of Chance The Rapper is changing the game with his lyrical style, flow and heart pounding live shows. Bennett's rise has been meteoric, selling out shows all over Chicago and being featured on the cover of The Chicago Reader as "The next up in Chicago.
The students will perform arrangements of some of the most famous jazz standards and they will also perform original songs with eclectic influences from reggae to funk, from swing to hip-hop. Come laugh about vaginas, those awkward fertility clinic waiting rooms and everything else that comes with infertility! Tickets for this event will be available only through Eventbrite beginning April 24th!
Box office opens 1 hour prior to show time. Karen Jeffries Presents: Hilariously Infertile! Washington Square Park and beyond transforms into a laboratory where you can put on a spacesuit and train like an astronaut. Spin till you're dizzy in a multi-access trainer, drive a rover, and hop aboard a fully functional flight simulator. You'll also be able to examine actual space dust, sit on a space commode, toss marbles into orbit, and much more Manhattan - Kimmel Center for University Life June 02, - New York City of Science is a larger-than-life event where science, technology, engineering, and math collide!
You'll also be able to examine actual space dust, sit on a space commode, toss marbles into orbit, and much more. When you want to come back down to Earth, step inside the NYU Kimmel Center and enter our virtual reality world that goes from the macrocosm to the microcosm. Take a virtual tour of the International Space Station and the planets in our solar system, and get up close with insects and all kinds of living creatures in our national parks.
Workshops, talks, interactive demonstrations, hands-on activities, and exciting exhibitions will run throughout the day. At Your Service! The work is directed by Austin Pendleton. For more information, call: When she suddenly sees a woman of a certain age staring back from her mirror, she demands to know how and when that broad got in there, and if she's leaving anytime soon.
Before that happens, however, she has a few claims to stake and a few flags to raise. The event is co-sponsored by the People's Theatre Project. Word Up is located at Amsterdam Ave near th Street. For more info contact Veronica info wordupbooks. For this special Spring event we've carefully handpicked makers based on originality and quality. Come shop from creative and talented makers from the New York metro area who produce one-of-a-kind and limited-edition fashion, art, furniture, skin care, jewelry, pottery, stationery, leather bags, and delicious foods. They will be joining our weekly curated market, the largest in NYC.
So, come hungry and ready to shop local! Explore the Cloisters and solve mysteries like a latter-day Brother Baskerville. Discover gruesome faces hidden in demons, take a ladder to Heaven or fall into the mouth of Hell, and learn why dead princes sleep with dogs. Prices include museum admission. What is a better way to brighten up your Sunday evening than to see some awesome comics? Get your tickets while they last and come see this door event.
This 3-part workshop is dedicated to fostering a conversation about musical theater structure not only for writers but also for producers, directors and everyone involved in the creation and production of new works. The internationally acclaimed, six time Grammy-winning New Yorker has a decades-long history with the Garden. Since , he's played a record-breaking shows, including a sold-out run of 12 consecutive nights in , and a moving performance at the concert benefiting victims of Sandy.
Come and experience the experimental and hard-swinging sounds every first Sunday of the month from 8pmpm! The series kicks off with "Going Dutch," a closer look at the rebellious spirit of Louis Andriessen and the composers he mentored, hosted and curated by Nadia Sirota, and featuring Jaap van Zweden conducting Andriessen's Symphony for Open Strings.
Part of The Art of Andriessen. ECMAA will be sharing traditional clothing and Eskista dance and music workshops and performances at 12 pm and 2 pm. A coffee ceremony will follow the final performance at pm in the lobby. So we organized the first French ball in NYC! An old-fashioned evening with friends! On June 1, the program will be completed by the celebratory "Just Joy," choreographed to original music by Thomas Lentakis and songs sung by Sardinian artist Elena Ledda.
Choreographer Tuveri, like Ms. Corona, is a native of Sardinia. On June 2, Tuveri will be represented by his "InnerAction," an exploration of relationships without emotional barriers. Directed by Derrick Sanders This powerful one-man show is based on the life of '70s soul singer and composer Donny Hathaway, perhaps best known for his duets with Roberta Flack. Twisted Melodies is an immersive and crushing play about the brilliant musician's compelling inner struggle.
Torn between the muses that inspire him and the mental illness that torments him, Hathaway evaluates the choices in his life in a gripping performance by Kelvin Roston, Jr. Today we will use recycled materials as well as decorative materials like beads and pom poms to create our own relief sculptures inspired by Sime's work! Each patch of color he uses represents buildings and doors. Today artists can use cutouts of color, paintings, magazine pages and even their own colored drawings to layer squares that represent and create a cityscape. Kenny Garrett - Blue Note Through June 02, - New York Over the course of a stellar career that has spanned more than 30 years, saxophonist Kenny Garrett has become the preeminent alto saxophonist of his generation.
As a bandleader for the last two decades, he has also continually grown as a composer. With his latest recording and second for Mack Avenue Records , Seeds From The Underground, Garrett has given notice that these qualities have not only become more impressive, but have provided him with the platform to expand his horizons and communicate his musical vision clearly.
Seeds From The Underground is a powerful return to the straight-ahead, acoustic and propulsive quartet format that showcases Garrett's extraordinary abilities. It once again consists of all original compositions, and is truly an homage to those who have inspired and influenced Mark's welcomes to you to celebrate with us every Sunday, here in the Bowery.
Choir practice begins at am, one hour before service begins. What art would you make to beautify a train station? Today we will work together to create a collaborative subway mural representative of our cultures and community! Most people might call it a chick flick, but in our opinion, it is one of the greatest teen movies of our generation. The people were in awe over our little mathematician. But, the story just keeps getting better. She has far greater and extravagant plans for the Mean Girls Franchise.
You'd like to know if Tina Fey can write a musical. The oh-so-not-surprising answer is First, it was Bring it On, then Heathers with several others in development. But, the musical for Mean Girls is already here. The Mean Girls Musical is a masterpiece from the great Fey. The musical was under construction since With our impressive roster of partner organizations, we look forward to showcasing the vibrancy of Jewish life in downtown Manhattan and celebrating its connections and contributions to the rich diversity of New York City.
They were happy. Then their church hired a new pastor. Flash forward … Jack is dead, and Meg is fighting the church she fled for custody of Hannah. Now that Meg is about to see Hannah for the first time in two years, the clock is already ticking. She will only have 12 visits to convince Hannah, who is openly hostile toward her, to leave the church she loves and its promise of salvation, to live with Meg -- the mother who left her behind. Ebony, our modern day Job, has lost everything including her will to live.
Yes, He can! But will she allow Him to give her double for her trouble? It will play Monday — Friday at 7 pm; Saturday Matinees at 5 pm and 9 pm. This exhibition is the first in-depth exploration of the vibrant network of artists, printers, and workshops that has developed and flourished in Brooklyn since the early s.
Every week, three Musical Circuit teams hit the stage with a brand new improvised musical. Magnet exists to grow and nurture a community of great improvisers, writers, actors and storytellers united by their love of the work: making smart, original and brilliantly funny comedy. Through the depiction of the quotidian lives of the final generation of Soviet children, Cherkassky creates a nostalgic and approachable portrait of the Soviet Union. One can relate to the banality of these scenes, with only the fashions and details peppered throughout disclosing the strange time and place in which Cherkassky and her subjects lived.
Mnuchin born is an American art dealer and former banker. Pretty BIG Movement, based in New York City, is a full-figured dance company specializing in various dance genres such as hip-hop, jazz, ethnic, and more. Founder and CEO Akira Armstrong realized there wasn't a platform for women with voluptuous curves in mainstream media, and so she created one.
While auditioning for Full Figured Fashion Week, Akira found that she was surrounded by confident, plus-size women who were beautiful, curvaceous, and shared the same passion in dance. Currently, Pretty BIG offers dance workshops in the tri-state area to the plus-size community, creating a No Judgment environment where individuals can feel comfortable dancing. Zen A. Since classical times, artists have always had to reconcile the demands of their patrons with their own artistic integrity.
In the 21st century, the patrons' demands can come from both the left and right. Andrew Block directs. The play is a story of laughable characters straining to act rationally when faced with difficult decisions of artistic integrity. However, money is running out and his jealous, excitable yet pragmatic girlfriend--a fact-checker for a right wing media outlet--is set on getting married.
Bruno's best friend is a podiatrist named Hal, who is married to Rachael, a nouveaux riche woman who is part time Feng Shui consultant, jewelry designer and board Boarding pm, Sailing after midnight! The Only Hip Hop vs. Reggae cruise to be in NYC Jewel Yacht! Boat Returns at approximately 4am. For tickets info, birthday parties, table reservations please call or simply log onto www. Deeply connect with the soulful rhythms of live drumming, energize your charkas, gain strength and flexibility, and rejoice in the bliss of feeling grounded and peaceful! Through the power of collective energy and the creation of sacred space, students will leave feeling empowered, energized, and renewed.
With a mission to promote healing and community building through dance, music and yogic practices, husband and wife team, Leslie Salmon Jones, Ailey School Alum, and multi-instrumentalist Jeff W Jones created Afro-Flow Yoga to celebrate, honor and respect our shared humanity and cultural differences in a non-judgmental and safe environment.
Three blocks from the Superfine Fair. Come join us as well on May 1st after 6pm. Everything looked so big. Later on, I discovered still photography and very rapidly fell in love with this art. But my all-time inspirational photographers, whom I appreciate without trying to copy, are artists like Robert Doisneau , Ansel Adams, Edward Curator Brett Littman, Director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, selected and placed new and significant works by 14 international and local artists for the installation, all presented by world-leading galleries.
Littman designed Frieze Sculpture to work in context with the art and architecture already at Rockefeller Center, creating a massive indoor-outdoor free gallery. The public art park gives visitors the opportunity to experience, enjoy, and interact with renowned artwork free of charge, without tickets or time constraints, with the option of learning more about the works from a free audio tour that accompanies guests as they make their way through all of the sculptures on display around the Center.
Backyard Wilderness - American Museum of Natural History Through June 30, - New York Backyard Wilderness will surprise and entertain viewers with the unexpected wonders of nature that are in our own neighborhoods and communities, arming explorers of all ages with the tools and inspiration to discover the wonders of nature at their fingertips.
The film reveals animal inhabitants in rare and breathtaking detail captured by cameras mounted inside dens and nests and moving along forest floors and pond bottoms. Times are subject to change. To purchase tickets in advance, the public should call or visit amnh. A service charge may apply. A follow-up to her previous exhibition with the gallery—the failed utopian —See Why continues Mozenter's focus on wool felt sculptures, large scale wall-hanging felt works, and delicate framed works on paper.
The artworks further explore Mozenter's abstract narratives of text and sound—animated through personal pictographic imagery—and the deconstruction of letters as both images and sounds. Mozenter's practice is influenced by the writings of Gertrude Stein. Explorations of the phonetic sounds of letters have also been a reoccurring element in Mozenter's work, doubling at times as the works' titles. The letters and titles are playful and absurd; and defy singular interpretations. When you look at a narrative drawing and understand the story, have you not just read the drawing?
Lynch is an artist known for his monochromatic works that feature abstracted letters and words set within a dark expanse. Working predominantly with charcoal on paper or canvas, Lynch's work bridges painting, drawing, and writing. Join photographer Sara Kerens and writer Majd Taby to celebrate the opening of their exhibit of stories and images from the ten weeks they spent among groups of refugees from Syria and the surrounding region: full of loss, love, hope, and the aspiration of all people to build better lives for themselves and their families.
Opening: Wednesday, May 29, - pm. At the 14th Street Y and Educational Alliance, truly everyone is welcome. Artists include: Burr Johnson, Brother hood Dance! After t The artists involved provided a distinctively European parallel to the American Abstract Expressionist movement. This exhibition will offer an insight into the allure of Paris in the s and '60s: a hub of cross-cultural exchange, intellectual activity, and artistic re-invention.
Screenwriter, creative strategist, and cultural activist William Yu started the viral StarringJohnCho project to address the lack of Asian American representation in Hollywood and to bring to life the idea of an Asian American leading actor. Now the hashtag is brought to life in a multimedia installation. Reminiscent of a movie theater lobby, the installation invites viewers to the imagined world of John Cho as a lead actor, and makes tangible the possibilities for a new kind of movie going experience for Asian Americans.
And, become a superhero yourself with the show's interactive portion! Free and open to the public. In the gallery gave Jasper Johns his first exhibition. Leo Castelli, the gallery's founder, had an unparalleled eye for quality, combined with his extraordinary skill for nurturing and promoting new art and artists. These essential qualities secured his position as possibly the most respected and influential advocate for contemporary art of his time. The gallery is now directed by Castelli's wife, Barbara Bertozzi Castelli. Bertozzi Castelli is an art historian whose specialization is Comprising performance art, photography, painting, sculpture, film clips, video, and music alongside historical documents, the exhibition will be presented in two venues: the Grey Art Gallery, NYU, and the Leslie-Lohman Museum of Gay and Lesbian Art, New York.
Around works by 18th, 19th, and early 20th-century self-taught artists highlight the history of of New York City as a financial and financial and commercial capital. The exhibition is curated by Elizabeth V. The coordinating curator is Stacy C. Hollander, deputy director for curatorial affairs and chief curator of the American Folk Art Museum.
Made in New York City will tell its story from two perspectives simultaneously: "The Art of Business" focuses on the people and places that were part of the city's thrumming commercial life. The presented photographs - shot primarily in the former Czechoslovakia and later in the Czech Republic, but also in some Western countries - show the precious moments of daily life, child birth, the tensions of school exams, falling in love. The project called "Woman Between Inhaling and Exhaling" includes photographs from the s - s, and its aim is to capture the life of a woman in its full variety, from birth to death.
The project is divided into seven parts — adolescence, maternity and family, fun, work, eroticism, faith, and old age. Apart from the objective chronology of life's pilgrimage of a human being, or more precisely, of a woman, the photographs perceive the principal life values, which accompany and influence us during our entire existence. The theme is more or less general; thus the question is not to portray a particular environment or a characteristics of a certain country. A substantial part of the photograp The Female Gaze: Women Surrealists in the Americas and Europe reframes the history of the movement by focusing exclusively on the pivotal role played by female artists as independent from—rather than in relationship to—their male counterparts.
Featuring paintings, sculpture, mixed media, and collages spanning from to , the exhibition also seeks to reveal the underlying political, social, and cultural attitudes that influenced ideas of gender. An opening reception will be held on May 8, from p. Orenstein noted, "I have been fortunate to know women Surrealists such as Leonora Carrington and Leonor Fini, and their work speaks to me on so many levels both spiritually and viscerally.
I am thrilled that He If you have, your dream will come true in the Ocean Cube. Ocean Cube is an immersive pop-up exhibit coming to NYC in June that offers participants a futuristic under-sea world. In this exhibit, you can shuttle between land and sea by coral traffic tunnel and are protected from external pollution under the protection of fishing nets wall.
In addition, don't forget to do some shopping in the "pearls and bubbles" mall. It is the first oceanic pop up in NYC. It is incredible because everything is bioluminescent here! All the beautiful creatures emit the soft light. This is the place you don't want to miss this summer! In arranged sittings, form is content: when commissioned to photograph the royals of Germany and England at a wedding in , James Russell and Son's Studio instinctively centered its composition around the family's matriarch, Queen Victoria.
Camera artists sometimes insert themselves into the action, as Susan Meiselas did when mingling with carnival strippers, first to portray them behind the scenes and then to photograph those in the audience from a performer's perspective. Action can also be a pose: in , when asked to create a positive poster image for the Gay Liberation Front, Peter Hujar asked the group's members to run toward him on the street, enacting their slogan, "Come Out!!
Bringing together works from the s to the present, Among Spend an afternoon at the Museum! Please be sure to arrive with ample time if you wish to visit the museum before. Almost all American cargo sloops and schooners were wood, but because she was built By the time of his death, Bowie had lived in New York for over 20 years. I am a New Yorker. An academic outsider and an activist, Hogarth was driven to innovate, creating new genres and modes of expression in his painting, printmaking, and drawing in his effort to elevate the status of British art. This exhibition will investigate the ways the artist used humor, satire, and political commentary to engage a broad audience and agitate for legislation and political goals.
The exhibition features the Morgan's exceptional cache of six sheets preparatory for two of Hogarth's most revered print series, both issued in February Beer Street and Gin Lane and The Four Stages of Cruelty. The story of Hogarth's images reveal an artist who addressed the ills and injustices of life in a modern metropolis, exploring the connections between violence, crime, alcohol abuse, and cruelty to animals in ways that would amuse, occasionally shock, and edify his audience. But who were they? How did they rise to their positions? And how did they maintain their prominence despite their scandalous reputations?
The Shady Ladies tour will change the way you see the museum — and art itself — forever. On this fun and informative 2-hour Metropolitan Museum tour, we will learn about: -- The first nude female statue in ancient Greece and the hetaera who modeled for it -- The oiran of the pleasure quarter of 18th century Tokyo -- A Venetian courtesan who published books of poetry -- The official royal mistresses of the French kings -- A royal bastard Printers were a mammoth force in the 19th-century Port of New York; they produced all manner of printed materials for the businesses flourishing on South Street, including those in the maritime trades.
Day: Breaking the Glass Ceiling - Children's Museum of the Arts Through October 27, - New York Known for her gravity-defying suspension sculptures that explore themes of science fiction, space, gender, and humor, E. Day illuminates contradictions in gender roles and stretches the confines of social stereotypes. In her new site-specific installation in the central Cynthia C.
Wainwright Gallery, E. Day will use turnbuckles, monofilament, and angle iron to build multiple suspended trajectories in the ceiling, using the columns and walls as mounting points. Day will employ chains, brass rods, elastic cords, and hardware to build tension, highlight resistance, and imply velocity. The ceiling installation will be complemented by shattered glass images displayed around the perimeter of the gallery referencing cosmic aspirations — the strong desire to achieve something that might feel just outside of one's reach. Though their subject matter is drastically different—one is inspired by tattered advertisements on the streets of New York, while the other depicts observers of Holy Week in Seville, Spain—Crawford connects them through his extraordinary visual memory, working method, and sense of spatial organization.
The convergence of these two incredible series culminates in Torn Signs, , the powerful, large-scale painting that sits at the thematic center of the exhibition. Dear Evan Hansen Musical. Dear Evan Hansen Broadway. Dear Evan Hansen is the epitome of a modern musical. The show is set firmly in the mid 's with technology and social media at the core of its plot, catering directly to its target audience of the teenagers and young adults of today while also connecting to people of all ages. Musical theatre is becoming increasingly more popular with young people, so with it's music, characters and plot, Dear Evan Hansen is almost irresistible to them.
The show, with music and lyrics by Benj Pasek and Justin Paul, and book by Steven Levenson, deals with some pretty heavy subject matter, but they're issues that are very hot topics at the moment. The heavy themes of mental illness, suicide, and struggling families are confronting, but as they become more prominent in real life, the need to portray these issue seriously in theatre is more crucial than ever.
Dear Evan Hansen handles these themes with grace and honesty. It makes a point of giv New ocean science and technology has allowed humans to go farther into the unknown than ever thought possible. From the coastal shallows to deeper, more mysterious worlds, this film reveals the untold stories of the ocean's most astonishing animals.
Each play offers something different, be it funny, profound, elegant, disgusting, topical, irrelevant, terrifying, or a song; all are truthful and tackle the here-and-now, inspired by the lived experiences of the performers. The Infinite Wrench runs every weekend except the last 2 weeks of December. Different show every time! The ballet and curtain were commissioned by the impresario Sergei Diaghilev for his avant-garde, Paris-based Ballets Russes, the most influential ballet company of the twentieth-century. It premiered on July 22, , at the Alhambra Theatre in London with sets, costume designs, and the monumental stage curtain created by Picasso.
Picasso biographer John Richardson once called "Le Tricorne" the artist's "supreme theatrical achievement. Measuring roughly 20 feet square, the curtain depict There will be a standby line for every show.