Meisterwerke im Wochentakt — Bachs Einstand in Leipzig. CD-Booklet-Texte : Der I; zugleich Documenta Musicologica, Bd. Neue Folge, Bd. Band 4: Magnificat I. Christian Ahrens, "Zu Gotha ist eine gute Kapelle Tanya Kevorkian, Baroque Piety. O Gott, das sieht ja aus wie Bach! September Stand: November E-Mail: blanken bach-leipzig.
Katalog, 2 Bde. Der blutige und sterbende Jesus von Reinhard Keiser. Jahrhunderts, Stuttgart Schubert: Perspektiven — Studien. Bach in den Jahren —, in: Bach-Jahrbuch , S. Weg oder Umweg. Zwischen wissenschaftlicher Spezialdisziplin und Catalog Enrichment, hrsg. Das Handbuch, hrsg. Bach, in: Kultur- und Musiktransfer im Sonderband 5. Aspekte der Bach-Rezeption. Vokalwerke C. Essays in Honor of Christoph Wolff, hrsg. Schriften zur Musikalischen Rezeptions- und Interpretationsgeschichte. Aus J. Bachs "Werke-Schmiede". August Hermann Niemeyer — : Erneuerung durch Erfahrung, hrsg.
Von Bach zu Mozart, Programmbuch, hrsg. Why did Schubert write a Religious Drama? Editionen Carl Philipp Emanuel Bach. Edition Bach-Archiv Leipzig. Uwe Wolf. Jahrbuch , Leipzig , S. Einblicke in ein Forschungsprojekt, in: Bach-Magazin 23 , S. Magdeburger Telemann-Festtage, hrsg. Geigen- und Lautenmacher des Barock. Umfeld — Leben — Werk, hrsg. Wissenschaftliche Arbeitstagung Michaelstein, November , hrsg. Band 2. Von der Reformation bis zum Wiener Kongress, hrsg. Leaver, London und New York , S.
Weihnachtsoratorium, Kassel u. Bach-Jahrbuch 97 , S. Poetische, musikalische, theologische Konzepte, Kassel usw. Pernerstorfer Hrsg. Ein Lexikon. Revidierte Edition. Abdruck in: Erleuchtung der Welt. Sachsen und der Beginn der modernen Wissenschaften. Solvej Donadel, M.
E-Mail: donadel bach-leipzig. Blanken und W. E-Mail: ensslin bach-leipzig. Thematisch-systematisches Verzeichnis der musikalischen Werke, Teil 1: Instrumentalwerke in Vorbereitung. Carl Philipp Emanuel Bach. Werkverzeichnisse zur Musikerfamilie Bach, hg. Bach-Archiv Leipzig, Bd. Katalog, 2. Werkverzeichnisse zur Musikerfamilie Bach, Bd. Geburtstages von Carl Philipp Emanuel Bach vom 6. Gerhard Poppe u. Christine Blanken u.
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Kathrin Eberl und Wolfgang Ruf, Bd. Bach, Gambensonaten Wq 88, , , hrsg. Christine Siegert: Cherubini in Florenz. Serie I, Band 26; Kantaten zum Serie I, Band 3. Faksimile und Transkription, Kassel etc. Stauffer, Lincoln and London, , S. Band 2, Stuttgart etc. Band 3, Stuttgart etc. Bericht Duisburg , Kassel etc. Hamburg , herausgegeben von H. II, S. Bach Schaffenskonzeption Sonntag nach Trinitatis , in: Bach-Jahrbuch , S. Leipzig Dortmunder Bach-Symposium, Witten , S. Heft 4, Zittau, , S. Dortmunder Bach-Symposium , S.
Klaus Hofmann zum Bartels und Uwe Wolf, Wiesbaden etc. X, , S. Jahrhundert, in: Bach-Magazin, Heft 15, S. Musik und Theologie. Martin Petzoldt zum Glauben — Singen — Lernen. Anekdoten und Fakten, in: Kinder, Kinder! Geburtstages vom Januar bis 1. Fragment BWV Rekonstruktion Carolin Hauck. E-Mail: hauck bach-leipzig. Opernhelden und ihr Publikum am Beispiel des deutschen Hoftheaters im mittleren Jahrhundert, in: Bewunderer, Verehrer, Zuschauer.
Die Helden und ihr Publikum, hrsg. Orchestral Conducting in 19th Century Europe, hrsg. Christiane Hausmann. Biographie Christiane Hausmann geb. Friedrich Wilhelm Zachow — in Halle. Protestantische Musikkultur seit Martin Luther, hrsg. Ennio Morricone. Zwischen Western und Konzertmusik in: Positionen. Texte zur aktuellen Musik 71 "Crossover" , S. Lexikonartikel im Riemann-Musiklexikon u.
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Hans T. Bach im Zentrum Leipzig: Evangelische Verlagsanstalt, : pp. Norton, : xii, pp. Fischer, : pp. Clemens Romijn et. Utrecht: Bijleveld, : pp. Andrea Silvestri Milan: Bompiani, : pp. Satoyo Akimoto Tokyo: Shunjusha, : pp. Vysehrad Publishers, Ltd [Ed. Vol 10 of J. Kassel, etc. Luth] Pro Organo Pleno. Bach-Dokumente, vol. VII Kassel, etc. Johann Sebastian Bach — Messe in h-Moll. Kassel etc. Artikel a. Bach Die Rastrierungen in den Originalhandschriften J.
Geburtstag, ed. Rudolf Elvers Berlin, : Zur musikalischen Vorgeschichte des Kyrie aus J. Bachs Messe in h-Moll. Martin Ruhnke Kassel, : See above, section I. Bach-Jahrbuch, 53 : Musik und Kirche, 38 : Bach-Interpretationen, ed. Die Architektur von Bachs Passacaglia. Acta organologica, 3 : The Musical Quarterly, 57 : Bach-Jahrbuch, 59 : Katalog der Ausstellung, ed. Bemerkungen zu S. Die Musikforschung, 24 : Bachs Sterbechoral. Kritische Fragen zu einem Mythos. Robert L. Marshall Kassel, : Journal of the American Musicological Society, 29 : Werner Felix, et al.
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Ulrich Prinz Tutzing, : American Philosophical Society Philadelphia, : Please email simon. To apply please send a short paragraph max words explaining why you wish to attend the seminar. Register at: comedy. No Laughing Matter? His research interests include racist and offensive humour and comedy, and the connections between humour and rhetoric. He has recently completed an audience reception study on the comedy of Sacha Baron Cohen. Register with: simon. Neue Forschungen zum jiddischen Humor Die gerade erschienene Nr. The new interdisciplinary Centre will consider the production, content, reception and wider socio-political implications of comedy in its variety of formats from a range of perspectives.
The Centre will bring together leading academics and writers from media and communications, sociology, psychology, theatre, drama, film and television, computing, English, creative writing, social work and ageing studies. Text … hier. David Regev setzt sich auf hagalil. Jahrhunderts als erfolgreichstes Jargon-Theater in der Donaumonarchie galt.
Vom 6. Mehr dazu … hier. Den Text der Habilitationsschrift finden Sie … hier. Den kompletten Text finden Sie … hier. Tagungsbericht: History and Humor - to Present Mehr … hier. Titel: Juden haben keinen Humor — Punkt. Den kostenpflichtigen Beitrag finden Sie Mehr dazu hier … und hier Vom Mit Oliver Polak und Henryk M. Die Abbildung des Titelbildes und der komplette Text ist abrufbar … hier. Jewish Humor in Fin-de-Siecle Budapest.
Text hier. Israelischer antisemitischer Karikaturen-Wettbewerb Lachen macht stark. Im Hospiz: Humor hilft, den Tod zu akzeptieren. Georg Kreisler ist tot. In later mass culture, the troubadour puts in an appearance in the snatches from the musical drama that are incorporated into A Night at the Opera , the American comedy film starring the Marx Brothers. This opera. Germanic Middle Ages. Stewart Spencer, in Wagner Handbook , ed. John Deathridge et al. Appleton, , The dance as a basis for the symphony seems to me artistically justified as a conscious theme for it.
Wilhelm Hertz. Wilhelm Hertz, ed. In the first half of the twentieth century, the collection was reprinted in , , , and The dance as a basis for the symphony seems to me artistically justified. Haas, Hermann Levi , 22— Haas, Hermann Levi , — The main title of the periodical. Haas, Hermann Levi , The Mastersingers of Nuremberg.
Haas, Hermann Levi , , n10, citing Leviana, letter dated November 28, , with a quotation from Mastersingers , Act 2. Dancer of Our Blessed Lady. Hertz, Spielmannsbuch , Reveille for the Nibelungen. French songwriters. Tristan and Isolde. Who can render us that pure love. Paris: Gallimard, , —25, at , repr. Twilight of the Gods. In The Education of Henry Adams. Ernest Samuels and Jayne N. Levenson et al. In the meantime between the debut and the Parisian revival, the story was not allowed to languish. In , a lyrical and dramatic poem by the English writer Algernon Charles Swinburne was published on the theme.
Specifically, a landgrave. Henry Adams became well acquainted with the Wartburg. Letter to Charles Francis Adams Jr. Viollet-le-Duc and his successors. Paris: A. Morel, For comparative analysis of the French chateau and the German construction, see Strasser, Wenn Monarchen Mittelalter spielen. The composer has captured. Massenet achieved a similar status. Academy of Fine Arts. Simone Bernard-Griffiths et al. In the Midst of the Middle Ages. The Virgin. French libretto. The libretto is by Charles Grandmougin. The opera premiered at the Paris Opera on November 30, First performed and published in Alfred Blau and Louis de Gramont.
Huon de Bordeaux. On its reception in general, see Annegret Fauser, ed. Galland, ; she discusses the opening at p. See the tenth, and final, novella of the tenth day. Especially the watercolor Love Among the Ruins , which was first exhibited in and was recreated as an oil painting in after the destruction of the earlier work. Written by the man of letters, Jules Claretie, who was elected to the French Academy in Spanish chivalric romance. For example, see the review in Nation The precise amount was 20, francs: see Walsh, Monte Carlo Opera — , In his autobiography.
See Jules Massenet, My Recollections , trans. Paris: La renaissance universelle, , 1: Le jongleur de Notre-Dame , lines —10, —28, ed. Le jongleur de Notre-Dame , lines —36, ed. Bretel, He taught first at the University of Lyon and later in Paris. The Farce of the Vat. In French, La farce du cuvier , by Gabriel Dupont. The Damnation of Blanchefleur. In the Shadow of the Cathedral. Knight of the Barrel. Other versions of a story with the same title are attested in French in the second decade of the twentieth century. An obituary. Henry T. Massenet, Mes souvenirs , During the visit.
Massenet pretends. Massenet, My Recollections , — Three manuscripts. Did you ever hear of this juggler. The Red and the Black. Actes du colloque de Cluny, 13—15 mai , ed. On November 2. National Museum of the Middle Ages. American architectural historian. Kenneth John Conant conducted the archaeological investigations at Cluny from to , under the auspices of the Mediaeval Academy of America.
Even the sounds. Massenet, Mes souvenirs , ; idem, My Recollections , Massenet, My Recollections , Known formally in Latin as the schola cantorum. The first perspective he isolated. The historical music movement. In reference to Gregorian chant, this technical term denotes a group of different notes sung to one syllable such as the final letter a in the word alleluia.
The contrast is coloratura, in which each syllable has its own note in a melody. A woodwind instrument that looks like a recorder but has a mouthpiece like a clarinet. Bertha of the Big Foot. Sometimes called Bertha Broadfoot, she is known in modern French as Berte aux grands pieds. One would search in vain. The foundational repositories of such medieval parodic material remain, for the Latin, Paul Lehmann, Die Parodie im Mittelalter , 2nd ed.
Stuttgart, Germany: A. The bestseller etched at least its title phrase upon the consciousness of the English-speaking world. All the same, France had its own oft-reprinted anthology of Popular Latin Poetry from before the Twelfth Century. The songs that are inevitably absorbed into such collections have had an abiding impact on high culture in the Anglophone world. Whicher, a friend of the American poet Robert Frost. In another branch of European literary and musical tradition, the Carmina Burana cantata of the German composer Carl Orff based on the extensive medieval anthology conventionally known by the same name includes tavern poems that reach a mass audience.
Play of Robin and Marion. In French, Jeu de Robin et Marion. Adam de la Halle. Known also as Adam le Bossu. In the same year, a philologist published a popularization of the play in modernized form. Ernest Langlois Paris: A. Fontemoing, His translations retained their appeal into the twentieth century, with reprintings, for example, in and Instead, he moves on. Legend of the Sage. It is sung. Legendary Feasts. For the quotation, see Musical Standard June 30, : First was La semaine de Suzette The latter publication was thus titled after the Marian visionary of Lourdes by this name.
Applied to this narrative.
Such narratives were read aloud. Hippolyte Delehaye, The Legends of the Saints , trans. Philadelphia, PA: J. A surprising thing. The Girl from Navarre. In French, La Navarraise. Massenet, My Reflections , The same painting by the Italian artist had made a strong impression on Clover Adams, but probably not for the same reasons. Raphael was received much differently in the United States than in France. William R. These ribs and bars and shafts are all at bowstring tension. The food is good in the monastery. The passage appears at the opening of the second act.
Reisland, — , —23, at no. Georgics 2. Eve: Mystery Play. In the Middle Ages. Among scholars, the philologist Gaston Paris had earned himself everlasting association with the miracle , thanks to the forty specimens of the genre he coedited in the Miracles of Our Lady, by Characters. See Gaston Paris, ed. Paris: Firmin Didot, — , in collaboration with Ulysse Robert. Twelfth Night; or, What You Will , 1. Berlin: De Gruyter, — , 7: 70—72 Kleid 2. Blessed are the humble. Compare Matthew — Affected simplicity.
The passage as a whole is quoted from Brancour, Massenet , 79 my translation. A reviewer commented. Thanks be to God! I am like them: Go to God! James Bond novels. The role was originally meant for Albert Vaguet. Boniface was performed by Maurice Renaud see Fig. The settings were designed by Lucien Jusseaume.
See Walsh, Monte Carlo Opera — , Photograph, Photographer unknown. Published in Musica June Photograph by Herman Mishkin, Walsh, Monte Carlo Opera — , Salle Garnier. Designed by the architect Charles Garnier, the theater named after him was built in a half year to open in It stands on the former site of entertainment rooms of the casino. Its interior is an impressive square, twenty meters on a side, with a ceiling nineteen meters high.
A color lithograph from , in the full splendor of art nouveau, constitutes a stunning benchmark of this promotional effort. It was the doing of Alphonse Mucha. A highly versatile artist, he worked across many media but merited greatest acclaim for his advertising posters. Ethnically Czech, he gained stature as the father of Parisian art nouveau. On the centenary of the Salle Garnier opera in , the principality issued five commemorative postage stamps to honor operas that had premiered there, together with one to celebrate the building itself and its architect.
Two were by Massenet: Le jongleur de Notre Dame 1. The opera house stamp had the highest denomination 3. The stamps are designated as Yvert —80, referring to item numbers in the annual Catalogue de timbres-poste Amiens, France: Yvert, commencing in the s. I heard then Le jongleur! A description of the first night in Monte Carlo can be read in Irvine, Massenet , Irvine, Massenet , In the same year it opened in Brussels and Geneva. For the fullest information on places and dates of premieres, see Alfred Loewenberg, Annals of Opera, — , 3d ed.
Totowa, NJ: Rowman and Littlefield, , columns — At first, the libretto was controlled jealously by the publisher. After the original French, translations appeared in German, Italian, and other languages. Lynn F. The distillery served. Durand, Although the original building was destroyed in a fire in , the rebuilding of an expanded replacement was undertaken in the following year and completed in I am sure that the Benedictines.
Willa Z. The painter. The artist was Guillaume Dubufe. This liqueur was peddled by Maximin, one of the children who had claimed to experience the vision at La Salette. He put his name and a picture of himself on the label. If you have never heard of these things. Finck, Massenet and His Operas , And the women reciprocated.
The sneering latent in such observations. Charles Lecocq see Fig. According to one critic.
Carl Van Vechten, Interpreters , 2nd ed. New York: Alfred A.
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Knopf, , Actes du colloque de la XIe biennale Massenet des 25 et 26 octobre , ed. Feminist theology. Elizabeth A. What, I exclaimed to myself. Written in , the piece of theater was staged and published in , first in Brussels and slightly later in Paris. After a delay of a decade and a half, the work was also made into an opera that was performed in the — season. Osman Edwards London: Constable, It includes the jongleur Jean, singing tenor; Brother Boniface, bass; the prior, bass; the monk-poet, tenor; the monk-painter, baritone; the monk-musician, baritone; the monk-sculptor, bass; and, to move from the soloists, a crowd, merchants, and monks.
As a journalist posed the question. An etching. Done by Charles Baude, after a canvas by Albert Aublet. The house belonged to Pierre Loti see Fig. Coincidentally, this French novelist and naval officer was, at least sporadically, a medievalizer. Elma Brenner et al. Farnham, UK: Ashgate, , — Sibyl Sanderson.
Illustration by Aroun-al-Rascid [Umberto Brunelleschi], Photograph by George Grantham Bain, late nineteenth century. It is hardly too much to say. Musical America , January 25, Later the soprano came to be known in America. By afterwards giving it to Mary Garden and altering it to suit her, the composer not only exercised a discretion to which he was entitled, but imparted to his opera, as I can personally testify, a measure of variety and interest that helped largely to enhance its popularity.
The Chicago singer achieved what was required, because she approached her task in the right spirit of picturesque feeling and romance. His article. Morning Oregonian Portland, OR Marthe Rioton. The playwright had been assured, wrongly, that the opera would star his mistress and not Mary Garden. Michael T. The early Netherlandish artist, German by birth, was on many minds. Later, the singer Yvette Guilbert, in the phase of her career when she performed a medieval repertoire, was compared with him. In the annals of music in America. The delivery that these singers cultivated.
They combined the agile leaps of coloratura singing, in which the soprano ornamented the vocal melody elaborately, with nearly glaciated stances of body. See Turnbull, Mary Garden , Garden had won great kudos. This sentence paraphrases William S. A substantial article appeared. Michael P. The description in this book lacks either photographic or documentary support, and even the Italian term or terms used for the activity are not provided. Freudian explanations. The supremely famous Sarah Bernhardt. Sheean, Amazing Oscar Hammerstein , For the general topic, see Corinne E.
Blackmer and Patricia Juliana Smith, eds. Turnbull, M ary Garden , Napoleon II of France. See Peter G. Garden also claimed to have traveled with Debussy. The theatrical work was published. See Margaret C. Anderson founded, edited, and published the cultural magazine The Little Review — London Opera House. The house was renamed the Stoll Theatre after being bought by the theater manager Oswald Stoll in The principal role was sung by Victoria Fer. Musical Times The Jewels of the Madonna. At least one other music critic.
Holt, , We must wonder. This modern music aims not wholly at the senses, but also at the mind. It does not aim merely at producing a vehicle for the production of glorious tones. It goes deeper than tone. It strives for a musical interpretation of the impulses and motives of the human mind and heart and soul. It represents not persons, but passions. On November 25, It had been performed first in and revised in , with a libretto by Louis Gallet. The dress stuck to my flesh.
James Gibbons Huneker. Arnold T. Turnbull, Mary Garden , New York may insist on a few more clothes. The resulting tempest in a teapot. For the night itself, see New York Times, November 30, Clothes are only shams. They bruited abroad. Ronald L. Garden would grow irate. Wagner, Seeing Stars , —9, John Dos Passos, Manhattan Transfer 2. The perfume was produced by the parfumier Rigaud.
Underneath are arrayed more than a dozen different cosmetics in the line. In French, a parfum miracle. Thankfully, the copywriter resisted referring to the odor of sanctity. That would have stunk. Byrne, published in New York Times , August 16, , p. New Woman. Viv Gardner and Susan Rutherford, eds. Duncan Grant. A British artist, he was a member of the Bloomsbury Group of artists, writers, and intellectuals.
Manchester, UK: Carcanet, — , 1: 83—, at Yvette Guilbert. Garden knew and studied her. The technical term for a female monologuist. During this phase, she was a favorite subject in the art of the French artist Henri de Toulouse-Lautrec. Society for the Oldest French Texts. Knapp and Chipman, That Was Yvette , introduction unnumbered page. Knapp and Chipman, That Was Yvette , Karl Fugelso, Studies in Medievalism, vol.
Eglal Doss-Quinby et al. Rochester, NY: Boydell and Brewer, , — From far past her prime we have a record made in Camden, New Jersey in In , Mary Garden also sang at a dinner in Paris before a bevy of nobility and diplomats, including Mr. In the Saturday Evening Post magazine of October 27, To the majority of the audiences. Jennifer M. For comments by those who saw her performances in the role of the jongleur, see pp.
Mary Garden Avenue. In French, Rue Mary- Garden. Place Mary- Garden. In English, Mary Garden Square. January 24, In her memoirs. More than two decades passed. For her performances, see Davis, Opera in Chicago , — Fred D. His name was Bernhard Fehr. She put into practice the dance theories of the dancer and dance theorist Rudolf von Laban, after whom were named the method for describing human movement known as Laban Movement Analysis LMA and Labanotation. The garb consists of trousers worn under a tunic that incorporates prominently in its pattern a large pectoral cross.
The balletic expressions of the story may well have had an impact on silent film as well as on theater, but the evidence is thin. Terpis himself took the lead role. On March 2, Later he went on to become ballet director of the Berlin Staatsoper State Opera , as well as leader of his own dance school in the same city.
As set to music by Ottorino Respighi. Rambert was Polish Jewish by birth, but as an adolescent converted to Christianity. She came to London in , where she opened her own educational institution in Also in , she played the Madonna in A Florentine Picture.
Janet Adshead-Lansdale and June Layson, —50, at London: Routledge, The Lonely Lady. A French Legend of the 14th Century. With music by W. Bell, staged in August A clipping of it is in a scrapbook that belongs to Pamela Chrimes, a colleague and friend of Dulcie Howes.
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The book is currently in the private collection of Eduard Greyling. The one-time retrogression failed abysmally.