Manual Programming digital music with SuperCollider

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Java can do a lot more with audio than it is generally given credit for.

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I have been hacking around with 3D audio and an FM synth built from scratch in Java, also a real-time theremin as an example of what Java can do. I like being able to roll my own, play around with ideas rather than be limited by synth systems. There is a bit of a hurdle getting a good grip on the Java Sound primitives e. There are many of examples from Delay, Filters, etc.

Home Questions Tags Users Unanswered. Are there any music programming languages from after the SuperCollider era? Ask Question. Nathaniel Nathaniel 3 3 silver badges 6 6 bronze badges. Supernova is the multi-CPU synthesis server, and it is incorporated into the main code base. PeterT s it? That isn't at all obvious from the web site, even by looking at the change log. Where is it documented and how does one use it?

I still haven't really used it, not sure if it's the default server or maybe need to adjust config. Then it's a matter of arranging nodes into p-groups. Also worth pointing out sc 3. I agree gpu could be interesting, there may be some issues with latency. I'm not aware of any SuperCollider like environment that makes extensive use of gpu. Maybe I should add that to my answer. Currently, we're limited to a finite set of UGens, but that would allow new ones to be generated on the fly. It would be a bit like having Faust seamlessly integrated into the language.

Writing code in SuperCollider

It would also allow things like single sample feedback to be done really efficiently. That wouldn't have been feasible in , but virtual machines now are much more efficient and I think it would be possible now. Sonic Pi - uses its own server, but seems more focused on ease of use particularly for use in education than advanced synthesis features.

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ChucK - not very actively developed, but a very approachable language with some interesting features for reasoning about time that go beyond syntactic sugar. Tidal Cycles - Haskell-based system primarily for generative composition rather than designing synths. Free App.

DRM Free. Write and Publish on Leanpub Authors, publishers and universities use Leanpub to publish amazing in-progress and completed books and courses, just like this one. Learn more about writing on Leanpub. Composing Software. Eric Elliott. Andriy Burkov. Bertalan Mesko. The Legacy Code Programmer's Toolbox. Jonathan Boccara. Introducing EventStorming. Alberto Brandolini.

SuperCollider Crash Course – Harvestworks Digital Media Arts Center

Fifty Quick Ideas. Typically users write their code in the SuperCollider IDE which allows you to send the code line-by-line or block-by-block to the interpreter. This is the foundation of many live coding performance practices where artists will improvise with their code blocks, executing blocks one at a time and updating parameters and coding structures as they go. Sclang is just one language that can be used with SuperCollider, there are many other high-level languages that build on the same logic and interact with the SuperCollider server, for instance Tidal , ScalaCollider , Overtone or ixi lang.

Bela allows you to take control of the audio generated by SuperCollider in realtime by connecting analog and digital sensors to the board which can interact with the code. Additionally, the analog and digital outputs allow you to interface with analog synthesizers by outputting CV, or to control LEDs, motors or other bits of hardware for kinematic installations.

Bringing Bela and SuperCollider together has been a large community effort, with many people contributing to its development. Thanks to the combined work of Marije Balmaan , Giulio Moro , Dan Stowell , Till Bovermann , Jonathan Reus and many others, it is now possible to run SuperCollider on Bela and to access all the inputs and outputs of Bela from within the SuperCollider server, all this with the low-latency that characterizes the whole Bela environment.

At this workshop we had five of the eight instruments running on SuperCollider. Since then we have held various workshops that have focused on using SuperCollider with Bela and a couple of internal hackathons where the support of the language has been pushed forward. La Diantenne, a pitched percussion instrument by Dianne Verdonk. Bringing SuperCollider and Bela together offers a new paradigm for live coding, adding physical interation to the core SuperCollider environment.

SuperCollider and Bela: live code your sensors

If your Bela board is up-to-date then SuperCollider will already be installed, however you will want to make sure you are running the latest release which is being updated regularly. To get started with SuperCollider on Bela you can go through the examples provided on the board, which can be found in the example browser in the IDE.

The below images summarise the two different ways that Bela and SuperCollider can interact. In the first case both sclang and scsynth are run on the board. In the second case we can take remote control of scsynth running on the board by running sclang within SuperCollider on a separate machine and communicating with Bela through OSC messages.