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Ripe with all the drama and interpersonal conflicts of a Jane Austen novel, watching her negotiate the labyrinth of familial pressure, religious precedent, and her own burgeoning sentiment is both painful and beautiful — there are no easy choices to be made and the viewer travels back and forth with her as she struggles with her heart to take the best path. A lonely boy practices an experimental form of therapy after his enigmatic neighbor offers to help him overcome social anxiety and win the girl of his dreams.

Isolated in a big city with no friends, young Zel simultaneously fears and craves intimacy. He has a pitiful obsession with dancer Jasmine and is caught spying on her by eccentric neighbor Elliot Billy Zane who offers to help him win her heart. Lust leads Zel on an intense subliminal adventure as Elliot teaches him how lucid dreaming can be used to practice the art of seduction but will Zel be able to charm Jasmine in reality?

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You help. In the early 's, refugees from all over Europe seek shelter in South Western France, escaping persecution from the Nazis and from Franco's regime in Spain. Among them, there are countless women, some of them pregnant, and their little children. The camps are in horrendous shape with refugees holding out with no protection from the cold.

With no further ado, young Red Cross nurse Elisabeth Eidenbenz breathes new life into an old villa. By transforming it into a birth clinic she saves the lives of mothers and children from certain death.


Despite all hardship, the villa becomes a safe haven resounding with the children's laughter. Robert Mapplethorpe is arguably one of the most important artists of the 20th century. The film explores the intersection of his art and his sexuality along with his struggle for mainstream recognition.

Rose Raynes was crowned Miss Arizona - 15 years ago. The five embark on an all-night adventure through L. The unique creative style used for the movie is helping us toward our goal to create a worldwide conversation about this incurable and deadly disease that entraps thoughts and tortures the feelings of caregivers. A seemingly minor traffic collision has far-reaching consequences in this story of a well-meaning medical examiner haunted by the death of a child he might have prevented.

The forensic pathologist Dr. Nariman has a car accident with a motorcyclist and injures the cyclist's 8-year-old son. He offers to take the child to a clinic nearby, but the father refuses his help and money. The next morning, in the hospital where he works, DNariman finds out that the little boy has been brought for an autopsy after a suspicious death. DNariman is facing a dilemma: is he responsible for the child's death due to the car accident or the child died of food poisoning according to other doctors' diagnosis? As the story unfolds, his fate becomes inextricably bound up with that of the grieving family.

In only his second feature, Vahid Jalilvand coaxes brilliantly understated performances from a superb cast for this compelling, considered meditation on guilt and grief. Juliette Binoche and Guillaume Canet reunite with acclaimed director Olivier Assayas for this wry, slyly seductive tale of sex, lies, and literature. Set amidst the bohemian intelligentsia of the Parisian publishing world, "Non-Fiction" traces the romantic and emotional fallout that results when a controversial writer Vincent Macaigne begins blurring the line between fact and fiction, using his real-life love affairs — including a passionate fling with an actress Binoche who happens to be married to his editor Canet — as fodder for his explosive new novel.

Balancing dry wit with keen observations on the tensions between art, commerce, and technology, "Non-Fiction" is a buoyant, breezy delight from a master director at his most effortlessly brilliant. France The charming Captain Neuville is set to marry the naive Pauline when the war breaks out, forcing Neuville to depart for the battlefield.

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After not hearing from the captain for months, Pauline soon starts to become ill with worry, pushing her sister Elizabeth to write fake letters on behalf of Neuville thinking he would never come back. When Neuville finally returns home unexpectedly, he is welcomed in glory but in truth is a war deserter and an opportunistic coward. A suspicious Elizabeth is determined to expose the real Neuville and the two imposters are about to start a ruthless fight, conspiring against each other using the best tricks they can find.

After her husband is killed in an accident, lonely Joyce finds herself destitute and facing an uncertain future. She meets mysterious drifter Bob and takes him in as a long-term tenant. Captivated by his alluring bad boy image, Joyce becomes obsessed with her younger guest, making him the unwitting object of her deepest romantic fantasies.

This is their fourth film to screen at the festival. This was followed by the world premiere of "Sedona", as the inaugural event at the newly completed Sedona Performing Arts Center in Paris Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor. The Count tolerates poachers on his estate, but Borel relentlessly hunts them down, most especially, Totoche, the most wily and elusive among them.

In the heart of a fairytale Sologne, alongside Totoche, Paul will learn about life, and also about the forest and its secrets. An even heavier secret weighs down the estate, because Paul has not happened to come there by accident. Jean Markham Anna Paquin returns to the town she left as a teenager to take over her late father's medical practice.

When a school-yard scuffle lands Charlie Gregor Selkirk in her surgery, she invites him to visit the hives in her garden and tell his secrets to the bees, as she once did. The new friendship between the boy and the beekeeper bring his mother Lydia Holliday Grainger into Jean's world. In the sanctuary of the doctor's house, the two women find themselves drawn to one another in a way that Jean recognizes and fears, and Lydia could never have expected. But, in 's small-town Britain, their new secret can't stay hidden forever. After losing his wife and daughter in a terrible accident, Preston Avery finds himself suddenly trapped in grief and isolated in a now empty house with nothing but the ghosts of his previous life to haunt him.

As the days bleed together and the walls of the house slowly close in around him, all hope seems to be lost until a motorcycle mysteriously appears one morning on his doorstep, but will he be able to leave the past behind? Unable to exist in his present state a minute longer, Preston eventually turns to the motorcycle in a final act of desperation and sets out on his own to wander the highways and bi-ways of the backcountry as he makes his way across California.

Along the road, Preston eventually meets a young woman named Tracey, who is finally able to intuitively break through his fog of grief just long enough to throw him a lifeline back into the land of the living. Although Preston's journey is at times very dark, "A Thousand Miles Behind" is ultimately a beautiful and poignant story of hope, that even when life hits at its absolute hardest there is always a way through if you can just hang in there long enough to find your way back to the light.

To assist his sinful pursuit, he seeks out Albert Matthew Broderick , a community-college biology professor who Shmuel enlists to teach informal science lessons. These soon grow to include homemade experiments and a road trip to a body farm, and, as their macabre misadventures and unlikely friendship grow ever more peculiar, the odd couple prove they will stop at nothing to satiate their curiosity and, ultimately find Shmuel the peace he seeks.

Seventeen-year-old Franz journeys to Vienna to apprentice at a tobacco shop. There he meets Sigmund Freud Bruno Ganz , a regular customer, and over time the two very different men form a singular friendship. When Franz falls desperately in love with the music-hall dancer Anezka, he seeks advice from the renowned psychoanalyst, who admits that the female sex is as big a mystery to him as it is to Franz.

As political and social conditions in Austria dramatically worsen with the Nazis' arrival in Vienna, Franz, Freud, and Anezka are swept into the maelstrom of events. Each has a big decision to make: to stay or to flee? A woman disguises herself as her dead brother, Henry, in order to survive in the Confederate ranks during the American Civil War. With the help of Indians hiding in the mountains 'Henry' is reunited with the widow, Virginia, who saved his life at the battle of Antietam and marries her to rescue Virginia from an unfortunate arranged betrothal.

They keep each others secrets and forge an unusual family. It is the alchemy of gratitude. A widowed mortician, struggling with agoraphobia, is given a birthday gift from her mother and daughter as a joke. But the tickets come with a catch — a gag gift of a life-sized doll named Pedro. On the morning of Sept. His father, Balthazar, is an undocumented busboy on the top floor in the Windows on the World restaurant. Three weeks pass, and there is no word from Balthazar.

No telephone calls, money orders, or hope that he is alive. Heroic Fernando decides to take the epic journey from Mexico to New York City to find his father and save his family. Along the way, he finds love and befriends an eclectic group of international characters that help him restore his faith in humanity, as Fernando discovers the hard truths about his father, the melting pot of America, and the immigrant experience. Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist.

But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes everything. Her application to adopt a child has finally been accepted and there is a little girl waiting for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deal the aluminum industry a crippling blow. In a desolate stretch of the Sahara, a mysterious car accident leaves a young woman lost and alone.

Jake, a reclusive architect, finds her unconscious. He drives her to the nearest doctor, to discover that she's suffering from post-traumatic amnesia. He names her Kitty and takes her to his remote desert home to recuperate. As Kitty struggles to come to grips with who she is, Jake invents an elaborate life they can share — the life he has always yearned for.

When he started as a comedy writer for the Late Show with David Letterman, Steve Young had few interests outside of his day job. But while gathering material for a segment on the show, Steve stumbled onto a few vintage record albums that would change his life forever. While tracking down rare albums, unseen footage, composers and performers, Steve forms unlikely friendships and discovers that this discarded musical genre starring tractors and bathtubs was bigger than Broadway.

The toxic effects of bias make headlines every day: sexual harassment, racial profiling, the pay gap. As humans, we are biased. Yet few of us are willing to admit it. We confidently make snap judgments, but we are shockingly unaware of the impact our assumptions have on those around us. The documentary feature "Bias" follows filmmaker Robin Hauser on a journey to uncover her hidden biases and explore how unconscious bias defines relationships, workplaces, our justice system, and technology.

A testament to the immense complexity of nature, "The Biggest Little Farm" follows two dreamers and a dog on an odyssey to bring harmony to both their lives and the land. When the barking of their beloved dog Todd leads to an eviction notice from their tiny LA apartment, John and Molly Chester make a choice that takes them out of the city and onto acres in the foothills of Ventura County, naively endeavoring to build one of the most diverse farms of its kind in complete coexistence with nature. The land they've chosen, however, is utterly depleted of nutrients and suffering from a brutal drought.

When the farm's ecosystem finally begins to reawaken, so does the Chesters' hope — but as their plan to create perfect harmony takes a series of wild turns, they realize that to survive they will have to reach a far greater understanding of the intricacies and wisdom of nature, and of life itself. Teeming with stunningly beautiful images of flora and fauna — and a pregnant hog that will melt your heart — "The Biggest Little Farm" is a testament to idealism.

For urban viewers, it's a necessary confrontation with how our food is grown. It's also a family adventure, full of suspense and emotion that will leave a lump in your throa. Featuring rare and never-before seen footage of the comedic icon participating in stories previously presumed to be urban legend. Whether it be singing karaoke late at night with strangers or crashing a kickball game in the middle of the afternoon, Bill Murray lives in the moment and by doing so, creates magic with real people.

Personal and crucial, "The Blessing" follows a Navajo coal miner raising his secretive daughter as a single father, struggling with his part in the irreversible destruction of their sacred mountain at the hands of America's largest coal producer. First and foremost a character-driven film, "The Blessing" brings the search for acceptance to broad audiences through the unprecedented and intimate access the filmmakers have been given to this under-reported social and environmental story on the Navajo Nation.

Part science, part adventure, and part love story, the film is a captivating reflection on the profound mysteries of the natural world and the ties that irrevocably connect us all. The story weaves together a wondrous tapestry of stunning visuals, passion for discovery, and the eclectic mix of the people for whom these butterflies have become a magnificent obsession.

Filled with allegory and poetic contemplations, "The Butterfly Trees" brings to the screen a universal story of life and the search for legacy and meaning by using the monarch migration as a poignant metaphor that embodies love, hope, transformation and connections that transcend borders.

The monarch butterfly is emblematic of our fragile and complex ecology. Carl Oelerich, a skycap at the Salt Lake City International Airport, has returned year after year to photograph the same people. Two hours west of Havana in the rust colored tobacco fields of Vinales, famous for growing some of the best tobacco in the world, Carl introduces us to the Campesino life.

It is through his relationships and images that we embark on this journey with a cast of characters whose candid conversations overflow with insight, love, hardship, humor and gratitude. Through the unexpected personal journey of Carl, "Campesino", introduces us to a world preserved by time, on the brink of opening up, in a way few people will ever see again. A look at the life and work of the late Los Angeles artist Carlos Almaraz. From the lens of an immigrant child coming to this country to live his American Dream of becoming a famous artist.

Few artists in fact painted canvases with the fiery passion and commitment of Almaraz. The time has come to fully tell his story and acknowledge an American Master and his impact in the larger art world in general. Yet his challenges, demons, struggles and explorations through sexuality provides the essential stuff of great storytelling. His journals will provide a rare window and essential perspective giving us full dimensionality in his own and often humorous voice. In the midst of the market crash, investors on the fringes of the financial world feverishly sought new alternatives for high-return investments in the global markets.

Makeshift solutions led to a market frenzy, until one investor discovered the massive web of fraud left in its wake. Over four years of unprecedented access, the film cinematically exposes the interconnected stories of systemic injustice in New York City policing through the bold efforts of a group of active duty officers, an innocent young man stuck in Rikers and one unforgettable private investigator. They bravely risk their safety, careers and livelihoods to bring light to harmful policing practices which have plagued the precincts and streets of New York City for decades.

The heads of the spectators are generally full of anxious attention. The matron on the girls' side if a portrait was chosen for her mental and not her personal qualifications. Such are the merits and defects of this celebrated painting, which, though infinitely inferior to many of Holbein's Dutch and Italian contemporaries, is a valuable, and in many respects an excellent, historic composition. Placed thus, the perspective of the depths of the arches would have been right; as it is at present, extended on one plane, they are exactly the reverse. The audience-chamber is of the Ionic order, with twenty pilasters, and their entablatures and arches.

The passage, seen through those, has an intersected arched ceiling. The king sits in the centre of the painting, on a throne of crimson damask, with the royal arms embroidered on the drapery of the canopy, the front of which is of fringed white cloth of gold. The footstool is of purple cloth of gold, and the steps of the throne are covered by a rich Turkey carpet, not remarkably well painted. The king holds a scroll in his left hand, extends the right, and seems to address a person immediately before him.

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The position of his body and the fore-shortened arm are excellent, and the lace and drapery are finely drawn and coloured. On the sides of the throne are two circular portraits.

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  7. Neither in such an attitude could the king observe fourteen kneeling girls, though their faces and persons are handsome and graceful, and the matron and her assistant seem eager to place them in the monarch's view. Verrio has stationed himself at the extreme end of the picture, and his expression appears to inquire the spectators' opinion of his performance.

    On the opposite side a yeoman of the guard clears the way for some person, and a female seems alarmed at his violence, but a fulldressed youth before him looks out of the picture with the utmost indifference. There is one excellent head which speaks earnestly to a boy. Another figure, probably the master or steward, pulls a youth's hair with marks of anger. Several lords-in-waiting are correct and good figures. The king holds his robe with his right hand, and points with the left to a globe and mathematical instruments. In this are several portraits.

    Queen Anne, sitting, habited in a gown of cloth of gold with a blue mantle laced with gold and lined with ermine. Her black hair is curled, and without ornament; the arms are too small, but the neck and drapery are good. She holds the orb in her left hand, rested on the knee; the right crosses her waist. Howard Staunton, "the list of 'Blues' who have acquired celebrity in what are called the 'liberal professions' would confer honour upon a school of much loftier pretensions.

    Notably among the earliest scholars are the memorable Jesuit, Edmund Campion, a man whose unquestionable piety and marvellous ability might well have saved him from a horrible and shameful death; the great antiquary, William Camden, though the fact of his admission is not satisfactorily authenticated; Bishop Stillingfleet according to the testimony of Pepys ; David Baker, the ecclesiastical historian; John Vicars, a religious controversialist of considerable learning and indefatigable energy, but whose fanaticism and intolerance have obtained him an unenviable notoriety from the pen of the author of 'Hudibras;' Joshua Barnes, the Greek scholar; John Jurin, another scholar of great eminence, and who was elected President of the College of Physicians; Jeremiah Markland, a man of distinction, both as scholar and critic; Richardson, the celebrated novelist; Bishop Middleton, of Calcutta; Samuel Taylor Coleridge, and Robert Allen.

    George Townsend; and Thomas Barnes, a late editor of the Times , 'than whom,' Leigh Hunt tells us, 'no man, if he had cared for it, could have been more certain of distinction. Among them is Isabella, wife of Edward II. In one of the cloisters was an impression resembling a gigantic foot, which was attributed by some to the angry stamping of the ghost of a beadle's wife! It consisted of a blue drugget gown, or body, with ample skirts to it; a yellow vest underneath, in winter-time; smallclothes of Russia duck; worsted yellow stockings; a leathern girdle; and a little black worsted cap, usually carried in the hand.

    I believe it was the ordinary dress of children in humble life, during the reign of the Tudors. We used to flatter ourselves that it was taken from the monks; and there went a monstrous tradition that at one period it consisted of blue velvet with silver buttons. It was said, also, that during the blissful era of the blue velvet we had roast mutton for supper, but that the smallclothes not being then in existence, and the mutton suppers too luxurious, the eatables were given up for the ineffables.

    All this took up about an hour. From breakfast we proceeded to school, where we remained till eleven, winter and summer, and then had an hour's play. Dinner took place at twelve. Afterwards was a little play till one, when we again went to school, and remained till five in summer and four in winter. At six was the supper. We used to play after it in summer till eight: in winter we proceeded from supper to bed. On Sundays, the school-time of the other days was occupied in church, both morning and evening; and as the Bible was read to us every day before every meal and on going to bed, besides prayers and graces, we rivalled the monks in the religious part of our duties.

    These were the Grecians. They were the three head boys of the grammar-school, and were understood to have their destiny fixed for the Church. The next class to these—like a college of cardinals to those three popes for every Grecian was in our eyes infallible —were the deputy-Grecians. The former were supposed to have completed their Greek studies, and were deep in Sophocles and Euripides. The latter were thought equally competent to tell you anything respecting Homer and Demosthenes.

    The "fazzer," in Leigh Hunt's time, was the mumbo-jumbo of the hospital. In fact, he consisted of one of the most impudent of the bigger ones; but as it was his custom to disguise his face, and as this aggravated the terror which made the little boys hide their own faces, his participation of our common human nature only increased the supernatural fearfulness of his pretensions. His office as fazzer consisted in being audacious, unknown and frightening the boys at night, sometimes by pulling them out of their beds, sometimes by simply fazzing their hair 'fazzing' meant pulling or vexing, like a goblin ; sometimes which was horriblest of all by quietly giving us to understand, in some way or other, that the 'fazzer was out,' that is to say, out of his own bed, and then being seen by those who dared to look sitting, or otherwise making his appearance, in his white shirt, motionless and dumb.

    Charles Lamb talks of the earlier school in a different vein, and with more poetry and depth of feeling. Matthew's Day, in which the senior scholar, before he had done, seldom failed to reckon up among those who had done honour to our school, by being educated in it, the names of those accomplished critics and Greek scholars, Joshua Barnes and Jeremiah Markland I marvel they left out Camden, while they were about it.

    Let me have leave to remember our hymns and anthems, and well-toned organ; the doleful tune of the burial anthem, chanted in the solemn cloisters upon the seldom-occurring funeral of some schoolfellow; the festivities at Christmas, when the richest of us would club our stock to have a gaudy-day, sitting round the fire, replenished to the height with logs, and the penniless and he that could contribute nothing partook in all the mirth and some of the substantialities of the feasting; the carol sung by night at that time of the year, which, when a young boy, I have so often lain awake to hear, from seven the hour of going to bed till ten, when it was sung by the older boys and monitors, and have listened to it in their rude chanting, till I have been transported in fancy to the fields of Bethlehem, and the song which was sung at that season by angels' voices to the shepherds.

    The hem-stitched bands and town-made shirts, which some of the most fashionable among us wore; the town girdles, with buckles of silver or shining stone; the badges of the sea-boys; the cots, or superior shoe-strings, of the monitors; the medals of the markers those who were appointed to hear the Bible read in the wards on Sunday morning and evening , which bore on their obverse, in silver, as certain parts of our garments carried, in meaner metal, the countenance of our founder, that godly and royal child, King Edward the Sixth, the flower of the Tudor name—the young flower that was untimely cropt, as it began to fill our land with its early odours—the boy-patron of boys—the serious and holy child, who walked with Cranmer and Ridley, fit associate, in those tender years, for the bishops and future martyrs of our Church, to receive or as occasion sometimes proved to give instruction:— 'But, ah!

    Why, e'en mid joy, my bosom heave? Ye long-lost scenes, enchantments dear! And quick succeed, ye sickly crew Of doubts and sorrows, pains and fears! Still will I ponder Fate's unalter'd plan, Nor, tracing back the child, forget that I am man. Of the hospital good Lamb says:—"I remember L— at school, and can well recollect that he had some peculiar advantages which I and others of his schoolfellows had not.

    His friends lived in town, and were near at hand; and he had the privilege of going to see them, almost as often as he wished, through some invidious distinction, which was denied to us. The present worthy subtreasurer to the Inner Temple can explain how that happened. He had his tea and hot rolls in a morning, while we were battening upon our quarter of a penny loaf— our 'crug'—moistened with attenuated small beer, in wooden piggins, smacking of the pitched leathern jack it was poured from.

    Our Monday's milk porridge, blue and tasteless, and the pease-soup of Saturday, coarse and choking, were enriched for him with a slice of 'extraordinary bread and butter' from the hot loaf of the Temple. The Wednesday's mess of millet, somewhat less repugnant— we had three banyan to four meat days in the week —was endeared to his palate by a lump of double-refined, and a smack of ginger to make it go down the more glibly , or the fragrant cinnamon.

    In lieu of our half-pickled Sundays, or quite fresh boiled beef on Thursdays strong as caro equina , with detestable marigolds floating in the pail, to poison the broth—our scanty mutton scrags on Fridays, and rather more savoury but grudging portions of the same flesh, rotten roasted or rare, on the Tuesdays the only dish which excited our appetites and disappointed our stomachs in almost equal proportion —he had his hot plate of roast veal, or the more tempting griskin exotics unknown to our palates , cooked in the paternal kitchen a great thing , and brought him daily by his maid or aunt!

    I remember the good old relative in whom love forbade pride , squatted down upon some odd stone in a by-nook of the cloisters, disclosing the viands of higher regale than those cates which the ravens ministered to the Tishbite , and the contending passions of L— at the unfolding. There was love for the bringer; shame for the thing brought and the manner of its bringing; sympathy for those who were too many to share in it, and, at top of all, hunger eldest, strongest of the passions! I was of tender years, barely turned of seven, and had only read of such things in books, or seen them but in dreams.

    I was told he had run away. This was the punishment for the first offence. As a novice, I was soon after taken to see the dungeons. These were little square Bedlam cells, where a boy could just lie at his length upon straw and a blanket—a mattress, I think, was afterwards substituted—with a peep of light, let in askance, from a prison orifice at top, barely enough to read by. Here the poor boy was locked in by himself all day, without sight of any but the porter, who brought him his bread and water, who might not speak to him , or of the beadle, who came twice a week to call him out to receive his periodical chastisement.

    The effect of this divestiture was such as the ingenious devisers of it must have anticipated. With his pale and frightened features, it was as if some of those disfigurements in Dante had seized upon him. In this disguisement he was brought into the hall L—'s favourite stateroom , where awaited him the whole number of his schoolfellows, whose joint lessons and sports he was henceforth to share no more; the awful presence of the steward, to be seen for the last time; of the executioner-beadle, clad in his state robe for the occasion; and of two faces more, of direr import, because never but in these extremities visible.

    These were governors, two of whom, by choice or charter, were always accustomed to officiate at these ultima supplicia —not to mitigate so, at least, we understood it , but to enforce the uttermost stripe. Old Bamber Gascoigne and Peter Aubert, I remember, were colleagues on one occasion, when the beadle turning rather pale, a glass of brandy was ordered to prepare him for the mysteries. The scourging was, after the old Roman fashion, long and stately. The lictor accompanied the criminal quite round the hall.

    We were generally too faint with attending to the previous disgusting circumstances to make accurate report with our eyes of the degree of corporal suffering inflicted. After scourging he was made over, in his san benito , to his friends, if he had any, or to his parish officer, who, to enhance the effect of the scene, had his station allotted to him on the outside of the hall gate.

    Of Boyer, the celebrated master of Christ's Hospital, Leigh Hunt says:—"The other master, the upper one, Boyer—famous for the mention of him by Coleridge and Lamb—was a short, stout man, inclining to punchiness, with large face and hands, an aquiline nose, long upper lip, and a sharp mouth. His eye was close and cruel.

    The spectacles which he wore threw a balm over it. Being a clergyman, he dressed in black, with a powdered wig. His clothes were cut short; his hands hung out of the sleeves, with tight wristbands, as if ready for execution; and as he generally wore grey worsted stockings, very tight, with a little balustrade leg, his whole appearance presented something formidably succinct, hard, and mechanical.

    In fact, his weak side, and undoubtedly his natural destination, lay in carpentry, and he accordingly carried, in a side-pocket made on purpose, a carpenter's rule. Woe to the school when he made his morning appearance in his passy , or passionate wig. No comet expounded surer. Jeremy Boyer had a heavy hand. I have known him double his knotty fist at a poor trembling child the maternal milk hardly dry upon its lips , with a 'Sirrah, do you presume to set your wits at me?

    Of Coleridge at school Charles Lamb says:— "Come back into memory, like as thou wert in the dayspring of thy fancies, with hope, like a fiery column, before thee—the dark pillar not yet turned—Samuel Taylor Coleridge, logician, metaphysician, bard!

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    How have I seen the casual passer through the cloisters stand still, entranced with admiration while he weighed the disproportion between the speech and the garb of the young Mirandula , to hear thee unfold, in thy deep and sweet intonations, the mysteries of Jamblichus or Plotinus for even in those years thou waxedest not pale at such philosophic draughts , or reciting Homer in his Greek, or Pindar, while the walls of the old Grey Friars re-echoed to the accents of the inspired charity-boy!

    Many were the 'witcombats' to dally awhile with the words of old Fuller between him and C. Le Grice, 'which, too, I behold, like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances.

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    Let's have no more crying! Val Le Grice and I were once going to be flogged for some domestic misdeed, and Boyer was thundering away at us by way of prologue, when Mrs. Boyer was so nettled at the interruption, that he growled out, 'Away! The two under ones were called Little and Great Erasmus; the two upper were occupied by the Grecians and Deputy-Grecians.

    We used to think the title of Erasmus taken from the great scholar of that name; but the sudden appearance of a portrait among us, claiming to be the likeness of a certain Erasmus Smith, Esq. We scarcely relished this perpetual company of our benefactor, watching us, as he seemed to do, with his omnipresent eyes. I believe he was a rich merchant, and that the forms of Little and Great Erasmus were really named after him.

    It was a poor consolation to think that he himself, or his great uncle, might have been named after Erasmus. Coleridge I never saw till he was old. Lamb I recollect coming to see the boys, with a pensive, brown, handsome, and kindly face, and a gait advancing with a motion from side to side, between involuntary consciousness and attempted ease.

    His brown complexion may have been owing to a visit in the country; his air of uneasiness, to a great burden of sorrow. He dressed with a quaker-like plainness. I did not know him as Lamb; I took him for a Mr. Soon after the foundation of the schools, says the latest writer on the subject, we find lands and legacies pouring in for the benefit of the charity; many, however, of the gifts being for the blind and aged, for exhibitions, for apprenticing, and for many other objects not strictly attached to the hospital, considered merely as a school.

    In the same manner many persons left estates and moneys to the governors, on condition that a certain number of scholars should be taken from the ranks of certain City companies, or from certain particular parishes, or should be nominated by some public body, fixed by the donor. From these causes the present property of the trust is encumbered with many charges for purposes which, in the present day, are unnecessary, and often impracticable.

    Thus, one person left a legacy on condition that a certain number of boys should receive pairs of gloves, on which should be printed, "Christ is risen," and these were to be worn in the various processions in which the school took part in Easter week. The gloves are still given, but instead of being printed on the glove, a little badge is worn, with the words required by the founder. If Charles Lamb is to be believed—and he himself was a "Blue"—the gifts of extra meat were, at that date, very much needed; and we are also told that in addition to the quantity being small, the quality also was then far from good.

    No such complaints can be made in the present day.

    Similar authors to follow

    Richard Thornton bequeathed a large sum to the charity. The Schools' Inquiry Commissioners hesitate to disturb the old dress, which Charles Lamb has declared it would be a kind of sacrilege to change; it is, however, very distasteful to the "Grecians," or senior boys. I have been looking for a good Witch series.

    I think I found one.


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