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PDF Opere complete di Alessandro Manzoni (Illustrato) (Italian Edition)

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The large folded table, which is not present in all copies, shows an arch with the pope's coat of arms at the top, surrounded by statues celebrating the power temporal and spiritual and virtues of the dedicatee. Goff - V. Eaton, Rare Books , p. Libreria Vinciana , ; F. Goff — V. Quarterly Journal of Current Acquisitions , 8 , pp. General title-page printed in red and black in each volume, bearing the date ; each play has a separate title-page dated along with its own pagination.

The volumes are complete, as issued. Engraved frontispiece in vol. Thirty-one engraved plates opening each play, mostly signed by Daucher. Woodcut ornaments on title-pages, decorated initials and headpieces. List of the comedies contained printed on the recto of halftitles. Covers within triple gilt fillet. Spine with four small raised bands, underlined by gilt dotted fillets, compartments richly gilt tooled. Title, volume numbering, and imprint lettered in gilt on the second and third compartments.

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Board edges ruled in gold. Inside dentelles , marbled flyleaves.


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Joints slightly worn. A very good copy, slightly browned, a few insignificant marginal tears. Provenance: the banker Mortimer Loeb Schiff ; his ex libris on the front pastedown of the first volume; see Catalogue of the famous library principally of fine bindings Schiff, Esq. Originating from Lucca, Castelli b. The translation contains the macaronic verses in the reception scene of the Malade imaginaire as well as the complete version of the beggar's scene in the Festin de Pierre , as Castelli had access to the rare, and still not censored Rouen edition of Castelli's version was frequently reprinted until the publication of Gozzi's translation in Venice in This edition is rarely found complete with all thirty-one plays, each of which has its own title-page and pagination, and therefore also had a separate circulation.

This copy includes, in the second volume, La Principessa di Elida , often lacking in recorded copies. This set was once owned by Mortimer L.


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Schiff, who took a special interest in the bindings of his books. In Seymour De Ricci published a four-volume catalogue of the signed bindings preserved in Schiff's library, mainly executed in France and England by the most sought after eighteenth- and nineteenth-century bookbinders.

Modern green half-morocco, marbled covers. A verygood, uncut copy. Light occasional foxing. Manzoni was the grandson of progressive jurist Cesare Beccaria, the celebrated author of Dei delitti e delle pene. Educated in a liberal and laic milieu fostered by French Enlightenment thought, in he married Henriette Blondel , the daughter of a Genevan banker who was originally a Calvinist. Soon after the marriage, she converted to Roman Catholicism, and her conversion was favoured and prepared by the Jansenist priest from Genoa Eustachio Degola Manzoni was deeply struck by Henriette's choice, and his spiritual crisis was accelerated by the reading of Gospels, Augustine, and numerous other religious books, as well as the frequent discussions with father Degola.

Two years later, in , here discovered and confirmed his Catholic faith, becoming one of the most important representatives of Italian Catholic liberalism. The conversion also marked the beginning of a new phase in Manzoni's literary production, of which the Inni Sacri offers especially striking evidence, revealing his road to spiritual redemption as well as the depth of his religious beliefs, permeated by notions of charity and human piety. Originally conceived as a cycle of twelve hymns celebrating the chief feasts of the Catholic liturgical year, only five hymns were actually composed by Manzoni: La Resurrezione, Il nome di Maria, Il Natale, La Passione and the famous and highly appreciated La Pentecoste.

Later Jansenist style brown morocco. Spine with five small raised bands. Title in gilt lettering in the second compartment, imprint at the foot, likewise in gold. Marbled pastedowns and flyleaves, inside dentelles. A very good copy, the first and last leaves slightly browned. Rare first edition of the first poetic collection published by the celebrated poet from Recanati, one of the greatest poetic voices of all time. The volume contains ten canzoni composed by Leopardi between and , only three of which had already appeared in print, i. The other seven canzoni are more intimate in character, and were published here for the first time: Nelle nozze della sorella Paolina , A un vincitore nel pallone , Bruto minore , Alla primavera , Ultimo canto di Saffo , Inno ai Patriarchi , and Alla sua Donna.

Around copies of the Canzoni were printed in August , and according to the publisher Pietro Brighenti, fifty copies — bound in boards — were personally given to Leopardi. Leopardi, Canti edizione critica , ed. De Robertis, pp. Original publisher's wrappers. A very good copy, quires unopened. First edition, dedicated to his childhood friend Costantino Naranzi, of this collection of early poems by the outstanding Italian writer Ugo Foscolo.

Foscolo had composed these poems during his adolescence and copied them into a notebook which was discovered among his papers and manuscripts after his death. The collection first appeared in , issued by the press established by Giuseppe Ruggia in the Swiss town of Lugano.

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Ruggia was a highly interesting protagonist of Italian political diasporas who, like Foscolo, had chosen the path of exile, owing to his radical beliefs and his active role in the Risorgimento. Foscolo's youthful poems are still deeply imbued with a rather unoriginal Arcadian style, as their vocabulary, syntax, and metrical structure reveal, far from the spirit of romanticism characteristic of his later production. Nevertheless, some verses do contain the first sparks of his future, and innovative poetics. Excellent copy, minor wear to the foot of the spine.

Front wrapper slightly foxed. Copy no. Provenance: the Italian art historian Bruno Molajoli , one of the subscribers of this publication. The poetic collection Los versos del capitan was written in during his exile on the island of Capri and published in Naples on 8 July by Arte Tipografica, the press led by his friend Angelo Rossi.

The collection contains Neruda's passionate love songs addressed to his muse, Matilde Urrutia , who became his third wife in , and ultimately his widow. The first edition was published without mention of Neruda's name as their love affair was still a secret at the time.

Garboli, Cesare

The work only appeared in Chile in , in a publication bearing the name of Neruda as the author. Scarica il catalogo. Ordinamento: Ord. Speaking on Love. An absolute gem of sixteenth-century book production. Printed on blue paper. No copies in America. Bound in painted vellum for Marquis Luigi Sylva. The first book entirely devoted to good manners.

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Price in pen on front cover. A near fine copy. A very good copy. Small spot on front cover. Catalogo Breve. Translated by Mrs. Gustavus W. First Edition, 4to, viii,pp. First Edition, 2 parts in one, xiv,[ii],pp. Reviewing the origin of printing in Italy, he provides a chronological list of books printed in Rome during the fifteenth century. Laire was one of the most learned bibliographers of France during the 18th century At one time he was the librarian of Cardinal Brienne; subsequently he became librarian at the Ecole centrale de l'Yonne, in which position he remained up till his death.

Brunet III: Reprint of the Edition Publications of the Soncino and Bomberg families and later printers are given careful and detailed examination. First American Edition. ISBN: Cover is paperback. Originally published in Italy, in Italian. Pages are clean and tight; this is a NEW book. Often described as 'the most French of the Italian painters', Mario Cavaglieri was born in Rovigo, Italy in of a wealthy Jewish family.

He trained as a painter and by the age of 20 was already holding exhibitions of his work. In he met Giulietta who was to be his model, his inspiration and ten years later, his wife. Cavaglieri's painting is characterized by bold brush strokes and a firm skill with line and design. Better known in Italy and the United States, the works of Cavaglieri have nevertheless been exhibited in France on several occasions Mario Cavaglieri was initially influenced by the Post-Impressionism of Eduoard Vuillard, the bold colorism and rapid brushstrokes of the Fauves, particularly Henri Matisse, and the Secession style of Gustav Klimt.

Cavaglieri specialized in images of luxurious interiors filled with antiques, exotic collectibles, and elegantly costumed women. The paintings reveal the artist's exuberant brushwork and richly decorative application of pain. Oversized, 5. Pegasus Books namus [Books from Pegasus Books]. Text in Italian. This is a reading copy only. The cover has been repaired at the spine with clear plastic tape, as has the front hinge. The binding has cracked at page The front cover is chipped along the lower edge.

The text is clean. Persephone's Books namus [Books from Persephone's Books]. Editione Illustrata. No publisher stated. A fine and scarce treatise on the fine art of correct speaking and writing. Complete and in very good condition, except for the box, which is slightly worn. Book, 2 Engraved title pages with elaborate engraved borders, and engraved dedication page, in Dutch and French to Mr. Ieronimo Tonnemans by ["his humble servant" Mattys Pool.

A collection of engravings by Mattys Pool, of the sculptures by Francis van Bossuit ] after the drawings by Barent Graat.

Utile, vero e interessante: Manzoni e la nascita del romanzo in Italia

There are also 2 full page engraved portraits of Bossuit and Graat, according to the [engraved] Tafel [Table] all prints are present as called for. Very good impressions on large, strong, moulded paper, verso's blank. In the original blue paper covered boards [spine weak, partly gone] Sheet size: 26 x 20,3 cm. Average print size x 8 cm. Some [5] plates are cut down, and inserted from another copy, some pages loosely inserted. Book, pp. Full calf, gilded spine with raised bands and title piece. Built in by the architects Vittorio Bellini and Antonio Catelani in neo-classical style , it originally housed a huge typography.

The project was ordered by the Florentine printer and typographer Vincenzo Batelli , to set there his foundry, typography, chalcography, and lithography, with relative spaces for draftsmen, print-painters and bookbinders as well as his own house. Vincenzo Batelli Florence, — had a deeply creative personality and was a truly art-lover.

Settled in Milan in , here he got some credit as a watercolorist. The activity gradually improved. In , for his libertarian ideals , he left Milan to avoid his eldest son to be enrolled to the military service under the Austrian rule. Come back to Florence, he opened the typography in Palazzo Galletti.

He honored his work as typographer, always trying to publish quality and value editions , accessible to lower classes both for the economic price and for the conditions of sale through the associative system, which he was one of the very firsts passionate supporters of.