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Sign In. Don't have an account? Forgot Password? The latter two wrote lengthy introductions to a illustrated monograph on the artist in which five of the paintings included in this exhibition were reproduced.
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Reports of his fame reached the United States by ; a paragraph in American Art News  mentions the success of Beltran Masses' first Paris exhibition. Los Angeles was yet to establish a major art museum  and such was the excitement generated by the paintings of Federico Beltran Masses that it was opened with a lengthy musical programme of Spanish and Mexican music and a reception for hundreds of black-tie attired guests. An astute self-promoter, Beltran Masses made much of this connection to Hearst, with whom he travelled in Europe.
Beltran Masses' later connections with French Cinema were cemented by the inclusion of twelve paintings and three drawings in the film, Le Rosaire , staged by Gaston Ravel and Tony Lekain. The immediate success of Beltran Masses' exhibition in London at the New Burlington Galleries owed much to the art historian and critic for The Observer and Daily Mail, Paul George Konody  , who wrote the introduction to the exhibition catalogue, and reviewed it for the Daily Mail in a one-page article.
While he complimented the artist on his romantic sensibility and his brilliant use of colour, he was critical of the occasional contradictions in his drawing. Beltran Masses had a second large scale exhibition in London in the galleries of the Royal Watercolour Society in , but his last public exhibition in London at the New Burlington Galleries in , did not have the same success. The horrors of the Spanish Civil War caused the artist a great distress.
Beltran Masses was a practising Catholic and a knight of both the Order of Malta and the Order of the Holy Sepulchre who instinctively supported the Nationalists but was equally deeply upset by the tragic consequences of the conflict, having friends on both sides.
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The artist remained in Paris after the outbreak of the Second World War - as a citizen of a neutral power he was able to live relatively undisturbed by the German occupation. The art market suffered, however, and he had to move to a smaller home, and give painting lessons in his studio there to make ends meet. This proved impossible. Liver disease now compounded his earlier heart problems and on 4 October Beltran Masses died, aged just sixty-four.
A small posthumous exhibition of his portraits was staged by the Lyceum, Havana, Cuba in , his first monographic exhibition in the country of his birth.
That his name was almost forgotten until recently is in part the consequence of changes in taste, figurative painting abandoned by all but a handful of successful contemporary painters from the late s through s. When the Cuban Museo Nacional de Bellas Artes de La Habana , reopened in two large scale works were revealed to a public which had no previous acquaintance with the Cuban-born artist.