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For twenty years, Jim has served as the the artistic director of the acclaimed Off-Broadway theater company, The York Theatre. And, for twenty years before that, he was one of their most trusted set designers. Jim pulls back the curtain on his career to discuss how a job interview led to a thirty plus years of employment, what it was like doing Sweeney Todd on a basketball court, and why an incognito Sondheim always gets recognized! Are you willing to ride? Karen pulls back the curtain on his career to discuss how she became a muse for John Kander and Fred Ebb, what it was like being in the room with Michael Bennett, Jerome Robbins, and Bob Fosse, and why selling programs at the Kenley Players was a highlight of her youth!

Jane pulls back the curtain on her career to discuss how she fled Utah, what it was like inhabiting the role of Sheila Bryant from A Chorus Line, and why Mickey Rooney and Ann Miller were her best teachers. Seymour pulls back the curtain on his career to discuss how he became a side man to Benny Goodman and Tommy Dorsey, what it was like to duet with Patti LuPone, and why a little pressure got him the best bands at the Palace!

Brace yourselves because the infamous Assassin of Broadway, Michael Riedel, sits down with Rob and Kevin to look back on his career and to celebrate the great legends that fascinated him when he first began in this business. Michael also discusses his incredible book, Razzle Dazzle: The Battle For Broadway, which is required reading for anyone who loves the theatre, plus lets loose with gossip from the Great White Way.

Michael pulls back the curtain on his career to discuss how he came to write Razzle Dazzle , what it means to be a modern day Walter Winchell, and why a fishbowl of napkins and matchbooks made him the most feared man on Broadway. This Week: Merman becomes a critic, discussing the new Angles in America, praising Andrew Garfield, Nathan Lane takes on Peter Sellars, Stritch goes multi-cam, Lucy plays Dolly, Madeline Kahn takes a walk, Elaine conquers the West End, the legacy of Elaine Stritch, accentuating the positive, being on the line for real , how a revival comes to life, the A Chorus Line legacy, the secret passageways of Broadway, loving Michael Bennett, Freddie Martinez makes a comeback, and Rob brings out new impressions.

What happens when you put three obsessive fans of the American Songbook into the same room? His work on Broadway The Golden Age is astounding and we so hope we will one day see what Rick had in store for the second and third part of his trilogy. Lift up your head, wash off your mascara, and get ready to be entertained by the original Seymour from Little Shop of Horrors , Tony nominee Lee Wilkof.

Lee pulls back the curtain on his career to discuss how his performance as Seymour won him a trip down the aisle, what it was like collaborating with Howard Ashman, and why Brushing Up His Shakespeare led him to tears and a Tony nomination! This Week: A new Favorite Things theme song? A Broadway Kiki. How do revivals alter their texts to fit modern sensibilities? What topics have musical theatre not tackled? Things get a bit political. The love of reference books. The brilliance of Steven Suskin.

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Kevin outs Rob for his secret love of Lucy. Lucy Ricardo strikes oil. Fred Mertz makes an appearance. In praise of Lucille Ball and Leaning In. Rob and Kevin are back for another round with one of the most celebrated choreographers of the s, Larry Fuller. Larry pulls back the curtain on his career to discuss how he calmed the nerves of the First Lady of Argentina, what it was like jumping into the world of Merrily We Roll Along , and why he is excited to revisit his works. This Week: Happy Birthday, Robert! A plug for the brilliance of Film Forum.

When does John Rando sleep? The prophetic nature of Jerry Springer. Where is The Princess Bride musical? Praising Adam Guettel. The Light In The Piazza. Celebrating the life of Nanette Fabray. Advocation in the Arts. Ed Sullivan makes a mistake. Beethoven underscores The King of Comedy. Before DeafWest, there was Nanette Fabray. Yente the Matchmaker meets Nanette.

And a very special Elaine Epilogue. Grab your good friend Sweeney and snag a comfy seat on the 20 th Century as Rob and Kevin speak to one of the most celebrated choreographers of the s, Larry Fuller. Larry pulls back the curtain on his career to discuss how he assisted the late, great Carol Haney, what it was like creating dance steps for the First Lady of Argentina and Che Guevera, and why a trip to Europe launched his career. Chip pulls back the curtain on his career to discuss how a lunch break from a shoe store led to his big break, what it was like meeting Bill Finn for the first time, and why he really wants to go to ComicCon!

Joanna pulls back the curtain on her career to discuss how every night she paid tribute to her I Love My Wife costar Lenny Baker in Into the Woods , what it was like being in a rehearsal room with Mike Nichols , and why Joanna returned to the well-known disaster Nick and Nora after twenty years! Brush Up Your Marshall because we have three time Tony Award winning director and choreographer, Kathleen Marshall, to discuss all things theatre, dance, and musical theatre history!

From an actress in the chorus of the Pittsburgh Civic Light Opera to associate choreographer, from reality TV show judge to Artistic Director, Kathleen has held every job imaginable and is still raring to do more! Kathleen pulls back the curtain on her career to discuss how she and her brother, Rob, fell in love with the business living in Pittsburgh, PA, what it was like to bring a contemporary lens to Golden Age musicals, and why her first Broadway visit involved strippers and animals chilling in a hotel room.

Sweeney Todd. Merril We Roll Along. La Cage Aux Folles. Those original cast recordings, and so many others, were produced by the 12 time Grammy Award winning producer who revolutionized how a cast album gets produced, Thomas Z. At 91, Charlotte Rae has no intentions of slowing down, as this interview will show. Now, over a crackly phone connection, Charlotte sits down with Rob for a quick chat. Charlotte pulls back the curtain on her career to discuss how she discovered a new talent named Sheldon Harnick, what it was like going to school with Paul Lynde, and why Charlotte always wanted to be a serious actress.

The joys of resolutions. Discussing Applause and the length of those songs. Fangirling on social media. Saraving Under The Influence. The backstage saga of Kwamina. Finding a Law and Order with a laugh track. Charlotte Rae wants to love Little Miss Pioneer. George S. Irving sings a solo and Tickets on the Aisle. Rob and Kevin reveal how they met, why they started the podcast, and what the future might hold for the show. Plus, they reveal their favorite interviews, their most embarrassing moments, and never before heard stories about themselves and their guests.

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For instance, if we have a relationship with someone—platonic or otherwise—our experience of that relationship is based on the expectations, assumptions and ideas we bring to it. If our worldview is skewed, for whatever reason, that experience will likely not match the reality of the relationship. Until then, we will, in all probability, stay where we are, both socially and emotionally, playing out our biases and finding ourselves repeatedly cleaning up that little bit of chaos that keeps showing up.

Breaking through our biases is further complicated because, in some measure, they feed our self-perception. If we are consistently treated a particular way, we will inevitably buy into it, at some level. When we break through our biases, that dynamic disintegrates and we have the opportunity to reshape our self-perception, probably for the better. Generalized cognitive biases, like the bandwagon effect or functional fixedness, are, for the most part, unavoidable. Self-imposed cognitive biases that impact our relationships and our relationship to the world can be deconstructed and even discarded by examining our assumptions and shifting our expectations.

Go ahead—peek behind your curtain and decide for yourself if what you believe about yourself and your world is real or simply a made up fact. What are your thoughts about how self-created cognitive biases can be disruptive to your relationships? Leave a comment, or contact Michael to learn more. One would hope that all cognitive biases - whether generalized or self-imposed - are susceptible to correction. Back Psychology Today. Back Find a Therapist. Back Get Help. Back Magazine. The New Science of Sleep Experts suggest ways to correct the habits that keep us from resting well. Subscribe Issue Archive.

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The social and emotional perils of self-created cognitive bias

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